Ennio Morricone Quotes

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I have to see a definitive cut of the film before I even start thinking about the music, I tell the director what my feelings are and what I would like to do. He accepts what I say or discusses...

De Palma is delicious! He respects music; he respects composers. For 'The Untouchables,' everything I proposed to him was fine, but then he wanted a piece that I didn't like at all, and of course we didn't have an agreement...

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I want people to know about all the kinds of music that I write. Some believe I just write film scores, which is not true.

There are some directors who actually fear the possible success of music. They fear that the audience or the critics will think the film has worked because there was a very good music score.

The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.

I like to feel and understand people's contentment with what I've done.

I never watch the dailies. What I usually do is have a look at the rough or final cut, and I just get something from the story. Sometimes I start composing even before the director has shot anything. The dailies...

They're all my children... every score I've done.

I like composing music, but I love being with my family.

When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that...

I really like conducting my music in concerts because I'm convinced it's not just for films; it has its own life. It can live far away from the images of the movie.

Some movies work really well with music from Bach or Mahler that existed long before the film, so music has its own autonomy.

Music needs room to breathe.

In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you...

I can't be enthusiastic as soon as I write something on the music sheet. The music sheet is only the beginning: it has to be listened to, played by the instruments, and then heard by the director, but most importantly,...

It had a very good arrangement by Herbie Hancock, but it used existing pieces.

There was a theft! But, of course, if it was up to me, every two years I would win an Oscar.

I was offered a free villa in Hollywood, but I said no thank you, I prefer to live in Italy.

You can see my decision as either a distinctive factor or as a limitation. I don't feel it is a limitation.

Bernard Herrmann used to write all his scores by himself. So did Bach, Beethoven and Stravinsky. I don't understand why this happens in the movie industry.

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