Emily Mortimer Quotes

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The odd thing is if you asked me to do the accent now I would find it very difficult unless I was also playing that part, because I associate it so much with entering into the role and stepping into someone else's shoes.

I was terribly shy when I was growing up, I really wasn't confident with other people and I think I was always afraid of up or not being this very cool, amazing person that I wanted to be.

So what I do now is to pre-empt that by making the up into a virtue, and telling funny stories about how crap I am before people have a chance to notice it for themselves and think maybe I haven't realised.

But I have to grow out of it, because it's very boring, really. Even when you're telling people how crap you are, you're still banging on about yourself.

I never felt I was quite the ticket academically. I always felt I had to put in an enormous amount of effort not to be disappointing. So I worked really hard, but at the time it suited me, because I didn't do very much else.

I did my homework and didn't go out much, and had a very highly developed kitsch fantasy life where I dreamed of being a dancing girl.

I had friends at school, but I was never part of a gang and I dreamed of that sense of belonging to a group. You know, where people would call me 'Em' and shout across the bar, 'Em, what are you drinking?' after the show.

My dad had this philosophy that if you tell children they're beautiful and wonderful then they believe it, and they will be. So I never thought I was unattractive. But I was never one of the girls at school who had lots of boyfriends.

I think we probably will end up in America because he would be giving up much more to come and live here. If you want to work in film, that's really where you have to be. But I'm not sure that being an ex-pat is very good for one's sense of self.

So far I haven't really been prominent enough to get critical attention focused on me. So, of course, I fully expect bad reviews, but I will be wracked with misery as a result.

51st State was one that I loved doing because the character was so out there, and in a way I was sad to leave the character behind. I'm afraid I could never be that cool in real life!

It's a hard thing to do, to be given a script, and know that you've got to turn up on the first day of the shoot - generally without having had any rehearsal - and present a character. It's really baffling; it's incredibly hard to know how to begin, to approach it, other than just thinking about it.

To get art nowadays, in cinema or books or anything, that grapples with the possibility of a meaningless universe... it just doesn't happen any more. In even the most indie of the indie films, everything has to come to some kind of neat conclusion.

I'm trying to avoid, you know, guilt, even though before the child is born, you're already thinking you're doing things wrong... Why do I think that will probably carry over until the day you die?

Accents are very tangible, blessedly, and if you have to do one, it's a way of getting into character. I can read it through a few times and pretend I know what I'm doing!

I think that you can get more passionate about somebody the longer you're with them and the more you know them and the more you go through together. Being married is definitely better than it's cracked up to be I think.

I am a good mother and I feel proud about it.

Doing press is like eating at McDonald's: while it's going on it's vaguely enjoyable - you're seduced by your own vanity and taking yourself rather seriously - but immediately afterwards you feel sick.

I want any excuse to come home. My dad is not a spring chicken any more. If anyone says, 'Go buy a postage stamp in London,' I'll go and do it.

I already feel a bit annoyed at myself for writing screenplays. It's a bit, I don't know, model-singer-dancer-actress that went to a posh school. There's something too weirdly predictable about it.

I want to discover more things about acting.

I've only half-admitted I'm a professional. I know I am, I've paid my dues, but one of the things I could do better when I'm acting is to really be rigorous and to think I know how to do it. To use my brain.

I think half the time I just assume I don't really know what I'm doing - you have to do that to a certain extent, but you don't have to think you're an idiot savant.

I wake up early. At 6:30 A.M., I'm at my most optimistic.

Breakfast is my favorite meal. I cook a big one for everyone - bacon and eggs. I own a lot of eggcups.

When I'm panicked about my love handles, I go to the YMCA and get obsessed with Kid Rock videos as I'm on the running machine.

Some people come alive at night. I'm hopeless by 9 p.m. Coffee and Cadbury buy me an extra half hour. Often I can't get my clothes off I'm so far gone.

I guess secrets are part of the fabric of everybody's lives. I mean everybody's lives, and guilt is part of the fabric of everybody's lives.

Normal people, who can be good people but do bad things, are very interesting to me, and people that never get a parking ticket or never do a bad thing in their lives can be really dangerous.

It is brilliant going to the theatre and being forced to sit and listen and think about life. It can be almost a near-religious experience.

I must have been a really pretentious little girl.

I was determined not to become an American citizen but I did it for completely cynical reasons: to avoid paying inheritance tax in the U.S.

I'm a dual citizen, as are my husband and children. We have got eight passports between us; we're weighed down by them whenever we go anywhere.

Los Angeles is like a beauty parlor at the end of the universe.

In my first few years as an actor, I took one terrible TV job after another. But even as I laughed off my awful roles and made fun of myself to friends, my work made me cringe - I dreaded anyone's seeing it. I was crushed that I wasn't doing anything I was proud of.

I decided to give acting a serious, committed try, and soon after, I read the script for 'Lovely and Amazing.' The story was beautiful and honest, and the characters struggled with the same insecurities many women - including me - face. I didn't think I had a chance in hell of being in the film, but I knew I had to go for it.

I'd been shy since childhood, constantly full of self-doubt. And as an actor, I'd been so scared of failing that I made my career - and myself - a big joke.

I'm still shy - I'm no good at my children's parent-teacher conferences, and I'm slowly learning how to ask for what I want. But I now know that I have a reserve of courage to draw upon when I really need it. There's nothing that I'm too scared to have a go at.

You are exposing yourself all the time as an actor. There's the risk of being thought of as bad or boring or unattractive.

I'm physically completely mal-coordinated. My best friend used to make me run for the bus just to give herself a quick, cheap laugh because I definitely don't have that sophisticated cool thing down.

It's dangerous talking about yourself too much because you find yourself talking in sound bites.

I went to dinner with my mother-in-law and I just realized I was talking in sound bites to her and expecting her to laugh every time I said anything or be jotting something down in a notebook. So you have to kind of really have a talk with yourself after you've done a press tour and say, 'Chill out!'

I like to mix it up, yeah. I don't sort of think, 'Oh, I need to do a comedy, I've done three dramas this year.' I don't think of it like that, but I definitely from project to project I feel like I want to just do something different all of the time and stop, I don't want to bore myself or anyone else.

I'm always drawn to the thing I think I can't possibly do, because I tend to be better when I think I can't possibly do something than I am when I'm pretty sure I can do something.

I'm an optimist by nature, myself, I think.

I'm always sort of anticipating life being difficult, but on a basic level, that's sort of on the surface, on a basic level, I'm optimistic in the sense that I think it's all going to be alright in the end.

New York is great, but I miss L.A. - I feel like there was something exotic about L.A. that I kind of underestimated at the time. It was very unfamiliar to me.

Lots of people there seemed to be in denial, in absolute denial, of death - everybody's pretending that death doesn't happen in L.A.; if you do enough exercise and take enough wheatgrass and have your pill every day, you might not die.

The thing I miss about L.A. is time. I feel like I had much more time there, partly because no one is ever really doing anything.

I borrowed my friend's car the other day in an attempt to persuade my husband that we needed a car and literally this is true, in the first day of borrowing the car, I got three tickets and I rear-ended it.

I'm just happy to be a film where for once I don't have to worry about my hair, because my managers are always complaining about my hair looking depressing in my movies. Which is true. I mean, it's true.

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