Ellsworth Kelly Quotes

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I started doing sculpture in 1959. I had no commissions then. They were painted, similar in style to the paintings... At a certain point, I decided I didn't want an edge between two colors, I wanted color differences in literal...

I always felt that a painted edge between two colors was a depiction somehow.

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The paintings to me are always canvas; sculpture has always been metal, though I have made sculpture in wood, also.

I have a sort of inner sense for scale.

One of the first drawings I did in Paris - I wasn't thinking of doing drawings, but somehow or other, I kept drawing - I bought a hyacinth flower with a lot of leaves, just to make me feel like...

My drawings have to be quick. If they don't happen in 20 minutes or a half hour, then they're no good.

My earliest drawing is a supposed Carracci. It wasn't very expensive, I guess, because they don't know if it's a real Carracci. But it has all these seals on it of people who've owned it, and one of the great...

I only like artists older than myself. Time is so important. It's always been the same way, I guess.

I learned my color in Europe. I've always been a colorist, I think. I started when I was very young, being a bird-watcher, fascinated by the bird colors.

I don't like mixed colors that much, like plum color or deep, deep colors that are hard to define.

I've always wanted... I wanted to give people joy.

I just feel like I can live on. I hope I can reach 100. I think today if you just keep doing, keep working, that - maybe that's possible.

I like to be able to get swift curves in the plant drawings that are usually drawn in five to ten minutes.

I don't labor over my drawings. I want to get freedom in the line.

All my work begins with drawings.

In Boston, I developed my eye from the drawing. In Paris, I was fascinated by what my eye saw in the way that Paris is built, its 'measure.'

When I see a white piece of paper, I feel I've got to draw. And drawing, for me, is the beginning of everything.

My ideas come, wh-pheww. And I draw. Just recently, when I'm searching for ideas for paintings and sculptures, I wait for ideas, and it's always visual.

My ideas I can find anywhere. And I draw because I have to note down my ideas or flashes - I call them flashes, because they come to me, like that. Not so much in the plant drawings. I have...

Shading is more like copying. And certainly I do copy, but I'm making drawings, and I'm not trying to make them with the shading.

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