Edward Zwick Quotes

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In my experience of the men of action I have met - whether from the Second World War or Iraq or Vietnam - they often had to do things that they would rather not reflect upon afterwards. This is perhaps...

I like to do everything I can to avoid rehearsals, even while we're rehearsing.

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Every day and every scene, it's never the scene that you expect.

Sometimes when an actor and director work together for the first time, it's not as if there's a suspicion, but there is tentativeness, a certain amount of a right of passage you have to go through in order to get...

If you don't know each other you spend time doing research together, having dinner, and talking about your lives. You try to find common ground. Once you're shooting, the pressures are so intense; you really want to have a channel...

Like everyone, I was a kid who played chess when I was young. And I am admittedly old enough to have been around during the fervor of the match in Reykjavik and the rise of Bobby Fischer, so those two...

Those of my generation who grew up in the midst of the Cold War had a very, very strong awareness and very much were sort of influenced by the demonization of the Soviet Union, whether that was through the Cuban...

I watched aspirationally. I looked at movies that maybe I didn't entirely understand but which developed in me some thirst for their subjects or for their context, and that became part of how I came to understand the world.

The idea that things can be serious minded but must be somehow balkanized in the art-house ghetto is very upsetting because I think it limits not just the audience who was already going to see it, but those who might...

I do watch 'It's a Wonderful Life' with my children at Christmas, and I liked it long before it went into the public domain and became a cliche.

When 'The Godfather' comes on, any time of the day or night, I'm lost because I'm incapable of turning it off.

I've always believed that the stories and the performances are more important than I am. I think that the more invisible that my hand is, the more attention people can pay to the story and to those performances.

I tend not to go look at movies before I make a movie. I'd rather not be specifically influenced.

I think that I am interested in the resonance between character drama and high stakes, either situational or political or social or other kind of elevated drama, and I tend to find that those things combust.

I'm always interested in the ways in which a character can inhabit either a theme or a premise personally, so that those scenes that are about his character or his relationship with other characters feel in context and don't seem...

When we did 'Thirtysomething,' television was either about doctors, lawyers, or cops.

My very first job was working on a TV show that was a prestigious TV show and well done - was called 'Family.'

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