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Don't write more than 3 hours at a time. I write three hours in the morning, 9 A.M. - 12 P.M. Other people are best late at night.

Adverbs lead to overwriting. Try taking them out and reading your prose again to see how it sounds. Simple and less words are more powerful.

Don't copy another writer's style, because that is not authentic, and that's how it will sound. You develop your style over your whole life and through countless influences. Don't impose something artificial.

Spend more time working before you write page one. Then, the story - at least parts of it - will feel as though it is writing itself.

New York can get on top of you if you don't have much money, but if you have money, it's kind of a playground.

It's much easier to get disgusted when you've already banked 20 million bucks.

If there is going to be any meaningful sales, it's going to be through word of mouth and people recommending it to their book club and then a thousand more book clubs do it, and then you get into real sales numbers.

A theme I'm obsessed with is the tension between human nature and the frameworks designed to curb the worst and promote the best of it.

In my first book, 'Ghosts Of Manhattan,' the setting was Wall Street, and I explored the predictable nature of a bond trader inside the compensation scheme at Bear Stearns and the government regulations of Wall Street. That was about money.

'The Means' is about power. I have access to political insiders who helped me write a portrait of the real day-to-day in politics, which turned out to be crazier than Wall Street.

Washington isn't utterly dysfunctional.

On Wall Street, every story becomes known so quickly. They are all so connected that everything disseminates there faster than anywhere.

Wall Street has played a role in everyone's life, and it has been vilified by everyone, but I think that the average trader didn't have a sense of what was coming. The culture is so vacuous, it's possible to come to it straight out of college and never have a real adult life, even if you have the wife and kids.

From a distance, the American political system is a remarkable success. We have accomplished the peaceful transfer of power for more than two hundred years, and that's unmatched by any civilization in human history. Up close, our political system still has all the ugliness and bad actors that you might suspect.

With tennis, if you're very good at a young age, you don't even go to your prom. You're down at some tennis academy in Florida where you're on the court 8 hours a day. It's brutal.

I did interviews with tennis greats, like James Blake and John Isner. I also interviewed tennis pros who aren't well - known but who made all the same sacrifices but had just a little spark of a professional career and are now still orbiting the sport, either as a teaching pro or a coach.

If you look at top players - Steffi Graf, Andre Agassi - so many had a parent who was domineering to the point where you really had to question his sanity. It was nuts.

I'm really troubled by the prevalence of single-sport specializations. I want my kids to do as many things for as long as they can. Specialization is a natural thing that should come later - it shouldn't come for 8-year-olds.

The last book I read before I wrote my first book - 'Ghosts of Manhattan' - was 'The Gold Coast' by DeMille. I loved it, and it gave me a lot of energy to start into my own.

I prefer a change of surroundings anyway, and I like to be around some energy and white noise, so I usually go to a Barnes & Noble cafe or to the library on 5th and 42nd. In the afternoons, I do research, reading, editing, and play with the kids.

I like to write in the mornings, so I try to protect 9 A.M. - 12 P.M. for me. I can drop our older two kids at school then write for a few hours.

The job for cable is to give the news and then also give the 'so what.'

I do like Pat Conroy, and 'The Great Santini' is an iconic book.

There used to be a few 'Great Santinis', but now there's many 'Great Santinis'.

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