Doing Quotes
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You've done it in the simulator so many times, you don't have a real sense of being excited when the flight is going on. You're excited before, but as soon as the liftoff occurs, you are busy doing what you have to do.
There's a very devoted fan base that really loved 'T1' and 'T2' and felt burned by 'T3' and 'T4,' so when we said, 'We're going to do it again!' the reaction was, 'Whoa, whoa, whoa - what do you think you're doing?'
So we had psychiatrists and counselors and therapists around the set regularly, especially for those scenes in which Jason would be dealing with a patient to make sure we were doing it all appropriately.
I think I once went three or four years without doing a play, and I almost lost my mind, then I came back and did 'Spamalot.'
We're just getting better at our trade, man. We know what we're doing, and the reason why is that we've spent 30 years doing it. There's nothing that can replace that.
Graphic design is a hobby that I started with back in 2010-2011, which I am still doing today. And because of that, I was able to design my own stuff and designed my own logo.
I am not an actor. Yes, every so often I appear on talk shows to promote something I've written, and I enjoy doing so because I have a lot of stories to tell, and I like making audiences laugh. But that's not acting. That's just me being me.
There's a charm, there's a rhythm, there's a soul to Jewish humor. When I first saw Richard Pryor perform, I told him, 'You're doing a Jewish act.'
The ability to absorb a book and make someone else's words and story your own was exactly was I was doing on stage.
Performing is just standing up there and doing something. Performance takes on an edge to it. It has a more dramatic context.
Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work - it's easier to do it in a collaboration than on your own.
I'm an architect. Before you start pouring the concrete, you build a foundation that is solid so that when you take the scaffolding down, it holds - forever. So that when junior high schools are doing 'Hunchback,' a 12-year-old as Frollo still works on some level.
All of us want to know that we are doing great things, that we are touching a lot of people, and that what we are doing is something bigger than ourselves.
What's interesting about the process of acting is how often you don't know what you're doing.
Originally, theater was my life. It was what I assumed I'd spend my working life doing - if I was lucky. Then along came movies.
I get so engaged when I have a problem you cannot solve that I just cannot break away from what I am doing - I keep thinking and thinking and cannot stop.
The central focus of what we are doing at the Fed is to keep inflation from accelerating - and preferably decelerating.
It is rather fantastic to realize that the laws of physics can describe how everything was created in a random quantum fluctuation out of nothing, and how over the course of 15 billion years, matter could organize in such complex ways that we have human beings sitting here, talking, doing things intentionally.
I've hardly had an avant-garde career... If you're going to make a film, you have to try to make sure it comes out of a childlike passion, as if you're doing it for the first time.
I served three terms in the U.S. Senate and was co-chairman of the National Commission on Fiscal Responsibility and Reform in 2010. So I know a bit about how Washington operates, and I have had plenty of experience doing the work of running for office.
Actually I like working kind of fast, because if you got it, why bother doing it over and over?
I was doing a late-night round as a milkman in 1978 when I heard a radio DJ announce that he was leaving. I marched straight to the radio station and told them I could do better. For some reason, they gave me a go.
The overwhelming triumph of the international multimedia conglomerate has resulted in less diversity within the field and has made it much harder for newer writers not only to break in, but to make any kind of a living while doing so.
I think that lawyers are terrible at admitting that they're wrong. And not just admitting it; also realizing it. Most lawyers are very successful, and they think that because they're making money and people think well of them, they must be doing everything right.
Every lawsuit results from somebody doing something wrong. If everybody did right, we wouldn't need laws.
Doing something because God has said to do it does not make a person moral: it merely tells us that person is a prudential believer, akin to the person who obeys the command of an all-powerful secular king.
In France, I am the fifth artisan to produce his own chocolate, and the others have been doing it for a long time.
It's a great feeling to know that 100 cops want to stop you doing something and they can't.
What I always wanted to get seen as was as a good actor, when it was the acting I was doing. When I'm writing, I want to try to be seen as a good writer.
I'm greedy for that satisfaction of doing something hard and knowing that, even though I was afraid I couldn't do it, that somehow I can deliver.
You can watch actors create their illusions, but if you don't see where they get the pigeons from, you don't really know how they're doing it.
No matter how big the audience is going to be. I'm interested in doing things that are fun.
What I always wanted to get seen as was as a good actor, when it was the acting I was doing. When I'm writing, I want to try to be seen as a good writer. Not as somebody with a particular idea to sell, or something like that.
We're going through all the checklist, getting in position to make the entry and all that... And I think either Pete, Dick, or I said, 'Well, I wonder how those parachutes are doing?' And then someone else said... 'Well, we'll find out in about 55 minutes!'
I believe that 100, 200, 300 years from now, all these paintings will be around because they're the first paintings of humans doing things off this Earth.
I always like to break out and address the audience. In 'The History Boys', for instance, without any ado, the boys will suddenly turn and talk to the audience and then go back into the action. I find it more adventurous doing it in prose than on the stage, but I like being able to make the reader suddenly sit up.
But find something that you absolutely love doing. And then get to love the way you do it. That's the uniqueness of all of us. That's it.
There are comics in L.A. doing impressions, and the first thing they do is hunch over and then start to do this bad Rick Moranis voice I do as well when I really get going. It's pretty horrible.
All women, regardless of her economic status or racial background, have a right to vote, and no politician or regressive law should prevent her from doing so.
I was not able to understand how it could be right to pay an actor, or a singer, or an instrumentalist for entertaining the public and wrong to pay a ball player for doing exactly the same thing.
As a kid, I certainly never thought I would get to spend my life doing something fun.
How can you get bored if the audience is cheering and laughing at something you're doing?
I will always serve my country in any capacity, but I'm very happy with what I'm doing right now.
The biases the media has are much bigger than conservative or liberal. They're about getting ratings, about making money, about doing stories that are easy to cover.
We need to prepare our kids for a 21st Century economy, and we're not doing it with our schools.
It's hard for a liberal to go on between Sean Hannity and Rush Limbaugh, because it's like doing country music after hip-hop. I mean, just, the audience doesn't go from one to the other.
Some of my colleagues seem more interested in using every procedural method possible to keep the Senate from doing anything than they are in creating jobs or helping Americans struggling in a difficult economy.
I believe in not attacking a country pre-emptively unless you're sure of what you're doing and you're working with allies.
I have been with the record company and Tommy was there doing records with other people.
I've thought about doing it as soon as it is possible with this new CD getting some wings and getting out there. I don't know how soon that will be.
More live recording. I have missed the boat over my career by not doing every second or third CD live because things happen onstage that don't happen in the studio.
I tour a lot and interview a lot. I'm on the Internet and doing stuff. I go out and promote. I've got a bass drum and a sandwich sign and a washboard. You just have to shout louder and louder that you're still alive.
I love doing film soundtracks and working with directors on how they want the scene to be portrayed on audio as opposed to visual. I like the collaborative effort of working with people.
There is no reason why any legitimate caller should be spoofing an unassigned or invalid number. And providers shouldn't be sued for doing the right thing by blocking illegitimate spoofing.
The FCC has been hard at work doing what we can to help close the digital divide.
I love doing stunts, though I have to be careful with my back. As for dances, somehow I am uncomfortable doing them. I lack grace.
Acting is a learning process. And what you are doing in your early films is essentially picking up the nuances, the tricks of your trade. And somewhere along the line, you become analytical and learn to enjoy what you are doing.
I rarely give interviews. I am against doing television interviews or chatting on the Net, even to promote my films. This is my personal decision, and it is not to hurt or embarrass anybody.
After graduating from high school, I worked at an advertising agency as a designer. After I left, I spent a year doing nothing in particular. At age 23, I drew my first comic.
If you're doing gags, I think it's important to have characters who are as strong-willed and impactful as possible.
I'm a lazy person, but if I'm not absent-mindedly doing something, I can't really relax. I can't just veg out.
People should try and look for something that constantly keeps them motivated, and they start enjoying what they are doing.
Personal questions, or accusations about delivering flops or not doing good films end up being accusatory sessions where I have to defend myself. That's why I prefer not to do interviews.
To get into the process of doing back-to-back films, it takes getting a little used to.
I don't think I am doing any injustice to my fans by not being accessible socially.
For me, it doesn't matter what kind of role I am doing. I just enjoy the process of acting and filmmaking.
I get a little myopic in the act of doing any writing. I think I'm not as interested or not as able to write about balance, because I think there's something I want to try to get at. I'm trying to get at something about the experience of growing up or about families.
So much of a stand-up's life is doing live radio and having to be funny and quick on the spot with these strangers, and sort of surgical in terms of how funny I can be in three minutes.
I am not interested in doing a film on the basis of a good story. I want a proper screenplay.
When I signed 'Kaaka Muttai,' a lot of directors told me that I shouldn't be doing the role of a mother so early in my career. But I went ahead, as I aspire to do challenging roles.
I want to do glam roles, too. I don't want to restrict myself when it comes to doing good cinema.
There was a stage in my career, especially with standup, where I felt, because I didn't know why I was doing well, that anyone who would tell me anything; I was sort of like, 'What did they say? Yeah, I'll take that advice.' Now I'm a bit more careful who I choose to listen to.
I think trying to be flashy and doing things that are out of your realm of comfort is the problem with the Divas.
From a young age, I felt like I was supposed to be the sort of female who is doing something strong.
I'm not interested in being famous. I'm interested in doing my job and doing it well, and that's wrestling, and that's what I love.
TV is such a great medium in what it can do in terms of enlightening an audience. We can really inspire and teach people about other people. That's a powerful tool, and that's something that the arts has always been capable of doing.
The advice that I was always given when asking for advice about acting was that if I could imagine myself doing anything else, anything else at all, then go do that.
Your artistry is a muscle that needs to be exercised, so if all you are doing is auditioning, you'll never get the satisfaction of fulfilling the need to play the part.
If you can serve everyone who visits you, you must be doing well in business.
I have been in control of what I've been doing, of the career I've put together.
What is social proof? Put simply, it's the positive influence created when someone finds out that others are doing something. It's also known as informational social influence.
Just to be working again as an actress and possibly doing TV would just be great. It's not about how big the role is.
Having some decent musicians around you only expands what you can do production-wise, but I make rap - I can't really see myself doing much else.
Doing something like 'Bushwick,' a lot of people need to agree that the piece is working with what's going on on the screen. So it's a lot of tweaks and re-works, just kinda moving pieces around and getting things to hit right.
I remember when I was younger, I read that Jay-Z was 33 and I was just like, 'Damn! This dudes really still goin for it?' It's just so rare that you see any rapper over 30 doing anything interesting.
I'm a DJ, but I'm also a ridiculously high-grossing musician due to doing productions.
People always say, 'How is it to be so successful?' I'm not successful yet. Richard Branson is successful. That's successful. Michael Jackson was successful. U2 was successful. I'm just a guy, doing okay. But I'm a happy guy doing okay.
I get a lot of dark scripts now. I don't wanna be stuck doing movies like American Pie. For someone my age, once you get started doing them, it's hard to get out.
I don't think the way to succeed is by doing something aggressive. Aggression is weak-minded.
Even though music is something I travel around doing, it is also a very private thing. A sort of escapism.
I didn't see myself as a woman doing film but as a radical film-maker who was a woman.
Ninety percent of the time when I'm working, there's this very palpable sensation that I'm doing everything wrong and should just give up.
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