Doing Quotes
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I was always performing, doing silly voices. The teachers realized I could go one of two ways: be creative or destructive.
It does get strange when you realize people will hang around for hours to get a glimpse of you doing scenes outside.
To me the thing with 'Grease' was that it was the first movie that as a kid I wanted to get up and do what they were doing.
The fun part about doing voiceovers and all that stuff is that you're not yourself; you're some other looking thing and sounding thing and whatever else.
The magician and the politician have much in common: they both have to draw our attention away from what they are really doing.
As your body deteriorates, your natural talents start to go a little bit. You have to bring in physical working out, building, taking protein and doing extra stuff.
With a population of 1.4 billion, China is a lucrative market. But getting into that market isn't cheap. At best, the price of doing business in China is silence; at worst, it's reading talking points straight from the Chinese Communist Party. Beijing is not subtle about it.
I think we are doing a bad job of helping our kids understand that they have huge resiliency.
When you're doing a play, you don't always have a practical world that you're working off of. You have to create it for yourself.
I really was interested in doing something for a premium channel like Showtime or HBO, just because you get to really let loose. I think they let their storylines go wherever they want, and it's really a special place to work.
I love doing comedy. One of my favorite things in the world is to do 'Parks and Recreation'; a big fun character.
When I do the roles, when I'm in the room and auditioning, I'll ask the director if they're cool with me adding stuff, or just improvising while we're doing it. And I would say, like, 90 percent of the time, they say, 'Absolutely.'
Some time ago, we went to Asia and took a camera along, and I began to do what I'd done even years ago doing people. I couldn't get interested in it. And I did hundreds of photographs of details of the monuments as sculpture.
I thought Google was the coolest place. People there were so smart and they were all doing these really interesting things. I just felt really lucky to be a part of it even in a small way.
A corporation's responsibility is to the shareholders, not its retirees and employees. Companies are doing everything they can to get rid of pension plans and they will succeed.
Yes, Americans can still get credit for cars and trucks and refrigerators, and those businesses are doing well. But just try to get a home loan now.
I am about to vote. I am about to do something that human beings are rarely allowed to do. I am doing something that did not exist until America.
The time to realize that you need to transition out of your job is when you know that you've grown out of the role that you were doing before.
Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It's harder.
If you want a studio to back you, you want to be doing something that's been done to death!
I generally feel like people that are doing the wardrobe know more about wardrobe than I do, and they have an overview.
Most young actors, that's all they're trying to do: Get better at acting and be able to keep doing it. And that doesn't work out for most people.
Everyone was doing alternative comedy. I thought I'd distinguish myself by just telling jokes, with differing degrees of success.
I get dissatisfied really easily, and I have to constantly keep moving; I have to constantly keep doing things. I find it very hard to switch off.
Comedy is my proper job. It's what I should be doing, and when I do other bits like my science series, I miss it.
Acting and writing are the things I like doing. I don't like presenting that much.
Ricky Gervais has jokes about people with disabilities, but do I think that's a healthy thing? Yes, I really do, because he's chosen his targets very carefully, and he's thought about what he's doing.
I've done a little bit of TV. I'm doing a little mini-series at the moment called 'Scooter.'
There are lots of things I could have done for the money, but I've made a great living doing the things I want to do.
I can safely speak for Melissa when I say both of our plans when we moved to L.A. was probably very similar, which was, 'If I can make any kind of a living doing something I really enjoy, then, hooray.'
Tinder's fascinating to me. I wish it was around when I was single and not on television because I can't imagine doing it when you're on TV.
Reading aloud could be humiliating, I was shy about doing it. Bear in mind I failed my English GCSE and A levels, which goes to prove that if I can embrace it, so can anyone.
I think a long-term TV show is probably not for me, but doing a few years of something could be interesting.
The main thing about writing is... writing. Sitting your butt down in the chair and doing the work.
Surely it's no coincidence that the Era of the AUMF, the Era of Endless War, is also the Golden Era of the Chickenhawk. We keep electing leaders who, on the most basic experiential level, literally have no idea what they're doing.
The music is in the lead here, and a large part of this, I have no idea what I'm doing. I feel a closer bond with the craft of songwriting, stronger than I ever have.
In life, everybody faces choices between doing what's popular, easy, and wrong vs. doing what's lonely, difficult, and right. These decisions intensify when you run a company, because the consequences get magnified 1,000 fold. As in life, the excuses for CEOs making the wrong choice are always plentiful.
The thing that's confusing for investors is that founders don't know how to be CEO. I didn't know how to do the job when I was a CEO. Founder CEOs don't know how to be CEOs, but it doesn't mean they can't learn. The question is... can the founder learn that job and can they tolerate all mistakes they will make doing it?
I had what Leicester gave me but then I worked with a guy around my house, a guy that my agent recommended. I worked with him for the three weeks solid, leading back into pre-season. We were just doing horrible running. Minging running! It wasn't pretty to be fair!
Theatre is where my passion lies - I just love it. I love watching it, and I love doing it.
One of my more hectoring voices, throughout my career, has been the one that says I ought to stop what I'm doing and make an outline.
We were doing things with a hundred per cent feeling. It wasn't programmed. It wasn't asked for. It wasn't structured. It was just there. It was very raw. I don't think the industry would allow that to happen again.
I don't get paid for what I do in public places. So I invest the money I earn in galleries back into doing the stuff I passionately want to do on the street.
My philosophy through all my work, be it on canvas or on the street, is about pushing boundaries and not going with the flow because everyone else is doing something a certain way.
An airplane cabin isn't the first place people think of when they choose an exhibition space, but I'm all for doing things differently.
What I like doing is imagery that can be interpreted in any particular way by the person who wears it.
I did dancing and singing when I was little, and then when I was 12 years old my friends were taking speech and drama at school. They were private lessons, and I started doing that. Over the years everyone else dropped out and I just kept going. I loved it.
After 2000 or so, I started to realize I wanted to be doing something else. I didn't want to be in front of a camera. I was frustrated. I didn't think I would stop acting, but I didn't want to be seen.
If you're competing right, if you're doing it right, competition should be a very selfish pursuit.
I'm not one to be like, 'What is everybody doing? Let me do that!' I just do what I want.
You get to the point where you're like, 'I'm just doing me, and if people don't like it, then it is what it is.'
The years keep going by and you realize, Wow. Doing these records is such a process: going on tour for a year and a half, then you get home and you want to do other things.
Especially in music, you wonder, Okay, should I still be doing this? Like, are you overstaying your welcome at the party? But I don't know.
I've never been able to relate to apathy. I've always been doing stuff, been in action, making music or working just to get by.
I've learned through experience that you can't ever predict what's going to happen with any show. When I signed on to 'Ugly Betty,' I just prayed that I wouldn't get fired after the pilot, and four years later, I was still doing it.
One of the things that 'Love, Simon' is doing that hasn't been done before is it's a gay teen rom-com with a mainstream wide release and the backing of a studio that previous gay rom-coms have not had. I'm really excited by that.
Your mind is just constantly moving, thinking of different scenarios, not only on your team but their team too, trying to figure out things they are doing.
For summer, I definitely love doing stuff outside. I love beach volleyball if you're close to something like that. It's really fun; you can do it with a lot of friends.
My first professional audition as an actor was when I was about 12 years old, and it was for a children's television show called 'M.I. High,' which I ended up doing for two years.
I was doing one of my first plays at the Royal Court, and Matt LeBlanc came to see the play. He came backstage afterwards, and I couldn't speak. I kept trying to, but no words came out. I just kept thinking, 'That's Joey from 'Friends.' That's actual Joey from 'Friends!'' It was so embarrassing!
We've worked with Special Olympics Florida before, and I had so much fun doing that. It was really inspiring to meet all the athletes.
I understand that anything actors are doing, good or bad, is motivated by fear.
I've always been an entertainer. It's in my blood, in the sense that I've always loved doing it.
But that's one of the nice things about doing a stage show, if something doesn't work out, you have the luxury of working on it over time.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
Survival is not about being fearless. It's about making a decision, getting on and doing it, because I want to see my kids again, or whatever the reason might be.
I never wanted to do TV. I just did what I was trained to do through the Special Forces, and I've been doing that from a very young age.
My favorite roles usually have to do with the story, if it's a good story I usually enjoy doing the character.
I felt within myself that I needed to change what I was doing. I needed a new stimuli. So the interest from Manchester United was a perfect fit.
When I'm doing just music all the time, it can get really overwhelming. It's always challenging to switch it up a bit. And just because you're a musician, it doesn't mean that music is your only creative outlet.
When I finished touring 'Fur and Gold,' I was just like, 'What am I doing? What do I have? Where is my home?' I didn't really know where it was, so I went to New York to try and make it there.
In a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.
That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.
I worked on 'Lonesome Dove' three weeks all together. When I heard they were doing it, I wanted to be involved since I'd read the book.
The consequences of a collapse would not be pretty. Whichever country precipitated it - Germany by threatening to abandon the euro, or Greece or Spain by actually doing so - would trigger economic chaos and incur its neighbours' wrath.
Paper publishers are doing everything they can to slow the transition to eBooks because, in a digital world, paper publishers' high hardback margins essentially disappear.
I guess you could say I'm an addict - an adrenalin addict - I get great excitement and stimulation from doing stuff in public, even though I'm nervous and I have very bad stage fright.
My function as a writer is to provide an atmosphere in which people can think wisely about what we're doing on this planet.
I started modelling when I was 13, so I learned a lot of things. I actually love doing make-up on other people, too.
Career is too pompous a word. It was a job, and I have always felt privileged to be paid for what I love doing.
I felt the most intense pleasure in piercing the stone in order to make an abstract form and space; quite a different sensation from that of doing it for the purpose of realism.
What they are doing is taking something that otherwise creates pollution and turning it into something useful.
I tell my grandchildren - I've got seven of them - to go to college and get that degree first. I could have stayed in college and still recorded. Isn't that something? The kids of today are doing it.
For the next approximately three years, I have got Nathan to take care of. I know that once he graduates from high school, he will be off doing whatever it is he is going to be doing - probably playing ice hockey.
I just like doing silly girly things. If I wrap a gift, I like to use specials ribbon and hot glue, silk flowers and things.
We proved that we are still a people capable of doing big things and tackling our biggest challenges.
I would not run for president. I really like what I'm doing now. People say I'm giving them energy and hope.
Then, with lots of people doing that without ever looking over their shoulders to see how they were affecting anybody else, it couldn't work, and it didn't work, and it just came to a standstill.
I remember feeling that. I couldn't do, nor did I want to do, the kinds of roles I'd been doing.
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