Doing Quotes
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My representation overseas can't stand me doing theatre because it takes me out of action. But it's what I want to do. If it means passing up other possibilities, them's the breaks.
Sometimes you have to make a complete disaster of your life in such an epic way that it will be absolutely clear to you what you've been doing.
When you're doing characters from famous novels, you have a responsibility as an actor to make it what the writer intended. And then you add and expand from there to create a three-dimensional performance.
I have no regrets about launching Salon. For the life of me, I can't imagine doing anything else.
The very best thing about doing it is seeing the reaction on kid's faces when you tell them you've done it.
I keep myself content by doing lots of different stuff and make sure that my next role is completely different to the last. I just enjoy the versatility of it, the challenge of doing lots of different things. It keeps the job interesting.
I usually do watch what I've done because I think it's important. I think you can learn from it and see what you thought you were doing and what ends up on the screen.
What we do is ridiculous! I think that even when what I'm doing is serious, even when I'm not turning into a werewolf. It's a silly thing to do, isn't it? It's what you do in the playground when you're kids - but actors just never stop doing it.
I started doing the big Hollywood stuff, and I realised, 'Oh, there's no rehearsal at all; you just turn up on the set, and sometimes you haven't even met the other actor, or the woman who's playing your wife, and you're suddenly in bed with them.'
I've never been that bothered about doing stage or television. I just love doing films. With theatre, it goes on night after night.
People ask me, 'Have you ever considered doing stand-up?' To me it would be less offensive if someone asked me, 'Have you ever considered dental implants?'
And I haven't met too many actors along the way that haven't told me how much the show has meant to them. It's one of the reasons they say they are doing what they're doing, today.
VA is a unique national resource that is worth saving, and I am committed to doing just that.
I think that by playing centre midfield in the middle of the park, I'm doing something which comes naturally to me.
I don't like doing the same thing over and over again, because I learn from being challenged.
When I was doing music videos, everybody was very snobbish about music video directors doing commercials. It was all guys from ad agencies.
I believe that filmmaking is a brilliant thing to do - be doing - for a living.
When you are doing music videos through the '90s, which I did, and the 2000s, you were put in the position, really, as an independent filmmaker. You were being financed by a major record company or a minor record company or whatever.
I'm in favor of building the fence, and doing everything technologically to protect our borders. But the other way to secure the border, and one of the things we must do, is put in place good guest-worker programs that employers can actually use.
I will say that adapting a character like Da Vinci really wasn't that dissimilar from doing Batman or Superman. Because all three of these guys are really iconic figures, and yes, Da Vinci was historical, but there's clearly been a lot of mythmaking about him, and a lot of things have been attributed to him that may or may not have happened.
I started in theater. I did theater professionally for seven years with my company before I started doing 'Friends.' I was waiting tables and doing theater.
I came from a family where I felt great pressure to be financially successful, and I felt that staying in Chicago and doing theater, I was, in all likelihood, not going to find financial success.
I love directing. It's something I started doing in theatre when I was in university in Chicago and I started a theatre company right out of college and was directing for many years.
I am doing better now though one of my legs is shorter than the other due to the operations.
The Sierra Club is a very good and a very powerful force for conservation and, as a matter of fact, has grown faster since I left than it was growing while I was there! It must be doing something right.
So then I started doing a lot of episodic TV, just car chases or helicopter chases or whatever.
We're talking to New Line. They've got a couple projects they're interested in me doing and I'm having meetings at MGM. There's a lot of available projects.
Often my characters don't know what the issues of the play are. They think they're doing one thing, but something else is actually orchestrating their lives.
I was doing research on the Mormon handcart tragedy when I came across information about Brigham Young sending out missions to the Indians in 1855.
I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.
I grew up watching period dramas, as we all did in the 1980s and '90s - endless adaptations of Jane Austen and Charles Dickens - and I loved them. But I never saw anyone like me in them, so I decided to find a story to erode the excuses for me not doing one.
We're facing headwinds from Europe. Europe doing the right things here to stabilize their situation is important to our small businesses, our workers, the middle class here, and overall economy.
All the action, in semiconductors at the present time is in the new consumer applications, and that's where we have focused our activities since we started doing our own products in the late '90s.
Nothing is my guiltiest pleasure. I love it. I love doing it. I love planning to do it, I love loafing and pottering and chilling and daydreaming.
I've done scenes in films that I felt like the performance was better in certain takes, but they couldn't use them because it didn't match what the person was doing when they came around and the camera was on them.
Part of the problem when I was doing 'How I Learned to Drive' is I would see my kids one night a week for six months, and that was just too hard. We moved to Philadelphia after we lost our house in the earthquake, the '94 Northridge earthquake.
My first summer at a repertory theater, I was making $20 a week. I was making a living, as far as I was concerned, and I was doing theater. And next season, I made $40 a week. But I don't think anyone in my family would have considered that making a living.
Your reputation doesn't stand for anything. You have to come and try to get up and show you're capable of doing the job.
I think I'm capable of doing the job at any club in the world, so I'm sure I can do it at West Ham.
I want my books to last, to stand the test of time, and to do that I focus on the forces that shape the subject - the cultural and sociological geography - to capture them in a way that will explain them no matter what they are doing.
People are so helpful. People will stop what they're doing to show you something, to walk with you through a section of the town, or explain how a suspension bridge really works.
Alan was always interested in politics in a major way. He actually believes that anarchy is a politically viable system, but I don't. I was always interested in putting forward the ideas that represented my viewpoint. I feel the same about anything I'm doing.
I supported myself by delivering the 'Wall Street Journal' and doing odd jobs. I love plumbing and carpentry.
I like the energy of doing things fast. We shot 'Starred Up' in just four weeks, and we edited it in four weeks.
I don't have any interest in doing superhero franchise movies. I don't connect to the fantastic, and I'm not a comic person - it's just not my thing, so I'm not looking in that direction - but ambitious films on a big scale I'm very interested in looking at.
The one I was driving for at the time, Nissan, they pulled out after they won the championship, because it was costing millions of pounds to do a national championship and ok, that might be ok when you're doing an international championship, but not for a national one.
Iraq's elite Republican Guard is doing so badly they're changing their name to the Democratic Guard.
I have found that the only thing that does bring you happiness is doing something good for somebody who is incapable of doing it for themselves.
Watching foreign affairs is sometimes like watching a magician; the eye is drawn to the hand performing the dramatic flourishes, leaving the other hand - the one doing the important job - unnoticed.
I've been getting pretty focused about that recently, and even considered doing a masters degree to polish up the craft. I've been pretty lucky in that I seem to have found people online who are willing to constructively tear it apart for me, and indicate its weaknesses.
I took the process of doing as much myself as I could like a duck to water. I set up my own label and publishing, etc, and it was a fun learning curve two decades ago.
There's nothing like doing something wrong to learn how it might be done better.
I love bouncing between different genres. And comedy, obviously, is something I enjoy doing the most and I've had the most success with. But I'm open to all jobs and all genres.
CIA officers aren't idiots. They knew they were heading into deep water - legally and morally - when they signed up for the interrogation program. That's part of the agency's ethos - doing the hard jobs that other departments prudently avoid.
When historians look at the Obama presidency, they're likely to credit him especially for doing the politically unpopular things that were needed in 2009 to salvage the financial wreckage.
But I do enjoy the freedom of doing a movie and then having some time off.
That's humour - doing what funny people have done since comedy began without being edgy and pushing boundaries.
You can't make people enjoy what you're doing unless you're enjoying it yourself.
I will continue to entertain the great British public. Because that is what I love doing.
Radio people can't entirely shake off radio habits when they start doing podcasts. They sometimes bring with them things we don't need, like producers and explanatory voiceovers.
'Adrift With Geoff Lloyd and Annabel Port' features Absolute Radio escapee Geoff and erstwhile colleague Annabel doing something similar. All are appealing individuals with plenty to say, tentatively getting used to their new freedom to talk about anything.
I just love doing different things, which is what being a working author is like.
The art of doing mathematics consists in finding that special case which contains all the germs of generality.
Even though I may not intend it when I set out to write the book, these places just emerge as major players in what I'm doing, almost as if they are insisting on it.
I contribute to public candidate campaigns, and there's a federal limit on how much you can contribute to each individual candidate. I obey the law in that regard, and I feel like I'm doing it properly.
If I can relay anything, it's that if someone has a dream, and it isn't the norm of what others are doing around you, it doesn't matter. Reach for it. Go for it - because I'm a shining example of that.
I don't think that voters should be fixated on public policy. In a healthy republic, they wouldn't have to worry every waking hour about what their government is doing.
I don’t like the idea of being chucked out of parliament, chucked out of the party, for basically doing the bleeding obvious: trying to stop an absolutely damaging policy, that a responsible political party should be opposing vigorously.
For a while, when I got out of college, I tried to write fiction. I'd grown up more around novelists, and my initial attraction was to write fiction. But I was much less suited for it. I always struggled to figure out what people were saying or doing in a particular moment.
Once we start collecting, the more you have, the more it gets valuable and that will stop us from responding to the present and taking on new ideas what the artists are doing now.
My career keeps shifting; I keep doing the next thing and it keeps growing.
I've been doing my big theater projects, which take years, and writing a song here and there.
If you're advertising on Facebook, the work you're doing should be made better by being on Facebook. You can't just be repurposing old TV commercials and hoping to get traction; that's very primitive. The question, always, is, 'How is this idea made better by this medium?'
There's so much advertising on television that I find just lazy, just so lazy. I'm like, 'Why are they doing that?'
I never pushed the envelope of wanting people to know me, or be on the covers of magazines. I just want to enjoy what I'm doing.
I have no hesitation doing children's movies. Zero. And I don't even have kids.
Everybody wants to say who they are and where they're from. And the easiest and cheapest and most universal way of doing that is through their accent.
Most therapists do not appear to know how to pinpoint and reverse therapeutic resistance - to head it off at the pass. Instead, they try to persuade the patient to change, or to do the psychotherapy homework, while the patient resists and 'yes-butts' the therapist. The therapist ends up feeling frustrated and resentful, and doing all the work.
So many people are exploiting the name Picasso - and, in a way, even the estate is doing it.
Magic came very easy for me when I was a kid. When I was 8 years old I started doing it, and by the time I was 12, I was already published in magic books.
With all the highs and lows I've had in my life, I wouldn't change anything. So no, I don't, this is what I'm supposed to be doing.
I never thought I was doing the same thing as directors like John Carpenter, George Romero, and sometimes even Hitchcock, even though I've been sometimes compared to those other guys. We're after different game.
The problem with doing a schlocky or big budget studio film is that it wouldn't actually be fun for me. It wouldn't be exciting.
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