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I write, I teach, I direct. I sail around the world for Holland America two months out of every year doing a seminar where we discuss film or theater and do improvisations.
Instead of doing thousands of dives, I am focusing on quality, and I'm listening to my body more.
Twitter seems just to be constant updates; it seems to me as promotional tool where people talk themselves up, and I don't want it to take over what I'm doing.
I didn't start drag because I thought it would be a ticket to anything. I did it for my own narcissistic fulfilment. When I started selling records, going on tour, doing TV... I never expected any of it.
Music is changing. I'm just doing what I'm doing, and hopefully in the next 20, 30 years, some kids can take what I'm doing and change it again. If the music doesn't move, then it's dead.
As a player, you can't express ideas and opinions as easily as when you're doing a ballgame.
Don't worry about what other people say, you could be doing what they're doing or even better than them.
You've heard me question whether the partisanship in Washington has made us, as a nation, ungovernable - and, indeed, Democrats are doing their very best to make sure of it.
Thanksgiving is really a holiday that allows us all, if only for a day, to stop what we're doing and consider the wonderful people in our lives and the opportunities we have, and have had.
I'm 47, You learn life is short and it's not worth doing something if you don't enjoy it.
I want to try out for Playmate actually. I talked to one of the photographers about doing test shots.
Theo does comedy now, and he's traveling around the country doing comedy, and I actually just saw him, he's from Louisiana, and I just saw him when I went home to visit my family in Louisiana. I saw his comedy show and he was brilliant.
I don't like creepy-crawly stuff. Girls can pick up a spider and just chuck it out of the window. No way, I'm not doing that. I actually scream.
Guns are heavy metal machines, and, at least in my case, it's surprising how many hours it takes before it looks like you know what you're doing. Releasing and re-loading magazines is difficult when you're asked to do it quickly and efficiently.
I was doing a show at the Comedy Store which Eddie Izzard saw, and we chatted for a bit afterwards. I didn't really know he was; we just hung out as comedians together, and when he heard my story, he said, 'Why don't you tell that on stage?' I didn't really want to burden people with all that, but he said that I could have fun with it.
There is nothing we can't do. So it's just the fact that we're doing topics like that that other people, especially network TV, won't touch, that we're satirists.
You know, and it really doesn't have a lot to do with the movie. That's the trick to doing a good musical is that, if you take that music number out, there's less to the movie there. You would miss it.
It's weird because if I'm not doing anything, I get antsy. I feel like I always have to be doing something.
I'm that type of person that if I feel like I'm doing the same thing in life, then I'm stuck. Always gotta be moving and doing something different.
Good shows tend to be more fun to do. If you feel like you are doing something good and making a good show, it is a lot more enjoyable.
Sometimes we have to take measures to protect the innocent that we do not like. Severe interrogations are sometimes part of doing that.
I took vocal lessons for the first time and actually learned a lot about using my voice as an instrument as opposed to just doing what I've always done and going by feeling. I'm still doing that, but I've learned a lot of tricks and how to manipulate and play with my voice a little bit.
I'm proud I've been able to pay my rent doing what I love because I hate real jobs.
A lot of people think that punk rock musicians don't know what they're doing.
Usually, if I'm coming to Europe, I'm on a boat for seven days, so I spend the seven days doing a bunch of things. I'll do cardio for an hour or an hour-and-a-half and weights, just light weights.
Some people do stage and film. Some people are film actors, and some people are stage actors. I'm quite sure that any of the actors who did the original production of 'August' could have done the film of 'August.' I don't think any of them were particularly surprised when they didn't wind up doing the film.
If I feel like doing something, I do it. If I feel like saying something, I say it. If I feel like dancing, I do. If I don't, I don't.
I loved being a redhead! I always wanted to try it. I was obsessed with Lucille Ball growing up. I really wanted to try it but I always thought that doing it would ruin my hair.
If I didn't want to work for a couple of years, I wouldn't have to-it's a great feeling, to know I'm doing it because I want to do it.
I have no qualms about doing a character who may be below the lead in the pecking order, whether it’s a hero or a villain or a comedian.
I started writing music when I was 15 in my bedroom, and I'd post them on MySpace, and from there it shifted to doing covers on YouTube and building my Twitter.
The way I eat is a heavy statement on my belief system. I eat cruelty-free. It is my way of being able to take a stand against doing harm to any living creature.
The media had me convicted of doing something wrong before I had even done anything at all, before I had talked to anyone, before I get out of bed. I'm always the bad person.
It's kind of like, I love doing tons of different things. The only thing I hate is not being in ensembles.
I really loved when I started doing '70s Show,' though I had never acted before, so it was a great training ground being on a sitcom.
I've been so fortunate throughout my career, when I was doing theater - more theater than anything else - and when I was doing films, that I got a chance just to do a broad range of things.
But 'Hatchet' I only had one day on it. You know, one scene, which I had fun doing. I enjoyed watching it.
Is safety a business imperative? Yes. But is it also the right thing to do? Yes. And it's important for companies to increasingly find that by doing the right thing, they're fulfilling their business imperative.
I hate when rappers do interviews. They say stuff like, 'If I wasn't doing this, I'd be dead or in jail.' Like, damn, those are the only two options? What about managing Kinkos?
'All Def' is unlike any other comedy show or set because 'All Def' goes back to the essence of how urban comedy started. We give it a 'stoop appeal.' A stoop appeal is important for us because it's where pretty much all black comics started doing their standup: cracking jokes on the stoop, in the hood.
Like everybody, I started out doing 'bringer' shows - the kind where if you show up with a certain number of people, you get to perform. Sometimes I would actually pay strangers off the street to come in and see my set.
I think we're lucky because there are very few people in life who get to do what we're doing.
Like many musicians, I don't look back much... only concentrate on what music I'm doing, and occasionally look ahead.
I'm very lucky to be doing what I'm doing, and the reason I'm doing everything is because of fans.
Everything feels like you're in slow motion and everything you do seems like it's about two or three plays of what everybody else is doing.
The biggest lesson I learned from my dad is to support children even if they're doing something that is unorthodox.
In ramp skating, there's this guy Alex Perelson who's really coming into his own and doing some amazing new stuff we haven't seen before. Just different types of spin.
Like most things that happen with Sabbath, it happened all of a sudden. I was intending on doing some recording, but out of the blue, Sharon called up and said she wanted us to do these gigs with Ozzy. I said that if everybody else was up to it then I would love to do it.
No, I'm a very normal and orthodox person that goes out of their way to present eccentricity. It's not that I do that so much now but I've been doing it for so many years that it's become routine now.
I'm trained to button scenes and round things off, and I get rewarded for doing that.
I try to keep it real simple. I try not to add a lot of frosting on what I'm doing. Just take the swing and don't muscle the swing, because if you get in the hitting position and you take the swing, I generate a lot more bat speed, and that works for me.
What happened is, when I was doing 'Taxi,' the last year, we did this thing where we had on top hats and tails, and we pretended to tap-dance. And I said to myself, 'You know, I always wanted to know how to do this.' So I got myself a teacher, and I started studying, and I got hooked.
The exciting thing about doing art for someone else's story is how I can translate their world through pictures, and that's always a pretty big challenge.
I loved stories as a kid, both being read to me and enjoying on my own. All these stories inspired my imagination, and that's what I have always aimed at doing for my readers: ignite their imaginations.
I support the Second Amendment just like everybody else. It's not about taking guns away. It's about doing very simple things that will save lives.
Doing what's best for our kids means restoring balance, commonsense and conservation to the management of our natural resources.
I had been doing MP3 players and handheld computers since 1990-1991, and so they sought me out because of my experience. And about 18 generations of iPod and three generations of iPhone later, I decided to leave Apple.
It's not just about turning up or down the heat, it's about the other experiences that come with turning up or down the heat - what are we doing about energy, what are we doing about your health and safety.
But I contend that if we're providing total medical coverage for every man, woman, and child in Iraq, shouldn't we at least be doing the same thing for every man, woman, and child in the United States?
We played a different style under Mark Sampson, and all credit to him, because we did really well. It worked for us; we were quite direct, but we were successful at doing it.
Actually, the year 2000 is our 25th anniversary of doing Captain & Tennille. I can't believe it. It's like, how is this possible?
Political parties don't work when people just announce what they are doing and expect everyone else to follow.
The first record was basically a quick, fast record. The second record, we were going for more of a poppier sound - like a heavy pop sound. For 'Rocket to Russia,' we'd sort of reached our pinnacle. We'd gotten really good at what we were doing, so that's like my favorite record - that's a really good record. It's just great from beginning to end.
We were playing popular music, but we were doing our own arrangements because we were too lazy to sit down and figure out the originals.
Whether you're a Democrat or Republican, if your standard-bearer for the presidency is not doing well, it's gonna reflect on the down-ballot.
I'd like to continue doing movies, clubs, concert halls and television. I like something about each one.
Canada is like an old cow. The West feeds it. Ontario and Quebec milk it. And you can well imagine what it's doing in the Maritimes.
I looked at my competitors and I thought that, If they could do it, I could do it. And if, they are popular and doing well, I could compete with them.
Any person that you would want to watch your movie or see your show or read your book, there's a million other things that they could be watching or reading or doing.
When you're doing the traditional musicals, singing songs that are 40 and 50 years old, you realize there's a reason why those musicals are hits. These are amazing songs!
If I'm doing a scene that requires a lot of focus, I'll just take myself away and do what I have to do.
To be an English person in my 20s, doing a Broadway show - it's one of the mountains I wanted to climb.
My career may look bizarre to some, but I have very strong reasons for doing every single job I've done.
Young kids are doing the same thing I did, but they're doing it differently. They don't do brain surgery the way they used to do it either.
All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.
When I first started recording, I was told by all of the experts in the business that the kind of music that I was doing was never going to sell. That disco was the coming thing and it was going to take over and what I was interested in was a minor sideline.
I'm certainly aware of the fans. I'm always hoping that what I'm doing is something they'll like, because I do appreciate them. But, no, when I get into the studio, it's all about what I like. It's the same thing that led me to the possibility of making that first Boston album, which was to divorce myself from all other influences.
When you're a comic doing a special, it's like you're directing your first movie.
I have an idealistic approach to acting. I want to be great at it, but you can't be great if the scripts are not there and the director doesn't know what he's doing.
I'm a researcher, so I'm realistic that there's nothing I'm doing that's going to prevent me from getting cancer in the future. But I can slow it down.
I slipped through every school I went to without leaving a trace. I was in no team; I was never a prefect. I was totally mediocre - well, I probably still am - but at places like Summer Fields and Eton, it's all about sport and doing your bit, and I always preferred to watch telly or read a book than run round a field.
Life is pretty simple: You do some stuff. Most fails. Some works. You do more of what works. If it works big, others quickly copy it. Then you do something else. The trick is the doing something else.
I enjoy doing these silly little videos, and a lot of stuff online is stuff I actually created for my live comedy shows.
I loved doing 'Rock of Ages' in N.Y. and that, but its such a large scale, and so many things go into it.
The idea of doing a buffer, sexier Riddler - I like that. I think he's a reflection of Batman, and I think of him like a scary, evil Batman. Like Bruce Wayne without a conscience.
The corporate outings were fun, but after doing them for 25 years, they got to be a little old hat.
There was times when I was bullied about dancing and stuff. But you couldn't hit me hard enough to stop me from doing it.
I think I found that when I was doing a show on a regular basis and just acting constantly, that was when I was at my happiest.
It's just a very different process from maybe working one or two days a week doing one or two scenes a day versus sustaining a performance over two hours or so eight times a week.
But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.
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