Dimebag Darrell Quotes

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Jamming with other people will create energy and excitement that you can feed off, and which will help push you to do things you'd never dream of doing by yourself.

I love jamming with my band because the guys inspire me every time. We all get off on each other's playing.

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The easiest place to get a natural harmonic on any string is at the 12th fret. All you do is lightly rest one of your left-hand fingers on a string directly above that fret and then pick it.

When I first started experimenting with harmonics, I'd sometimes hook up two distortion boxes just to get my strings 'frying,' which helped bring out the harmonics.

Some of my favorite harmonics are located between frets. There are two really cool ones between the 2nd and 3rd frets that I use a lot.

I use some pretty radical harmonics at the beginning of 'Heresy.'

As far as I'm concerned, it's no good being able to wail out smokin' leads if your rhythm chops hugg!

All syncopation means is accenting beats that you don't normally accent.

Using string bends instead of just playing regular, unbent notes can definitely help give certain riffs a cooler, heavier edge.

With the right outlook, you can learn to entertain yourself and entertain each other so you can enjoy doing what you're doing. There's obviously gonna be highs and lows, and the trick to it is to be able to maintain...

When you're on the road, you've got to have your four-track - or some kind of recording device to jam on and have a good time.

I do some three-part harmonies on 'Throes of Rejection' and 'Hard Lines, Sunken Cheeks,' but I didn't go overboard with it.

Whenever I record more than two or three layers, it starts to get cluttered up, and you can't hear the cut of the guitars as good. It's hard to get four guitars to hit at exactly the same time and...

I'm not going for a soft sound. I ain't lookin' for a warm sound. My sound is warm, but I don't need tubes to do it. The Randall RG-100 is the best amp for what I do.

I love 'Dogman' by King's X and Living Colour's 'Stain.'

To me and my band, guitar riffs are what it's all about. We know that every time we jam on a great riff, we've got a fighting chance of writing a great song!

My whammy system is set up so I can yank the bar up as well as do dive-bombs with it. This means that if I accidentally push down on the bridge with my palm, my strings go sharp and sound...

When I play live, I jump around like an idiot for an hour-and-a-half or more under a lighting rig that's hotter than hell.

Losing control of your pick on stage sucks, so I scratch some deep X's into both sides of my pick with something sharp, like a dart.

To make harmonics scream, I first dump my Floyd Rose real quick, hit a harmonic with my left hand while the string is still flapping, and then use the bar to pull it up to the pitch I wanna hit.

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