Diana Rigg Quotes

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It's a very powerful medium now, and should be celebrated as such, because we have the greatest television in the world.

I don't have it in for critics, and I never have.

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Critics have to sit through an awful lot of rubbish, and you feel really sorry for them. In fact, I've been in a play where I felt sorry for the critics.

We depend on the critics to give us a glimpse of what happened. Bernard Shaw championed Ibsen, who got the most terrible notices for his plays. Kenneth Tynan championed young writers, and as a result, the theatre has changed radically.

I'm really grateful for 'Game of Thrones'. It's something wonderful to happen to an actress of my age, and Dubrovnik is astonishingly beautiful.

All these old images of me floating across the screen, the terrible chasm of what you were and what you are. I know who I am, but these people who see me as I was then don't.

There is always one thing that turns you into an icon, an iconic image: in my case, a catsuit. But the icon 40 years later doesn't really want to know because it's not relevant to me.

Some of those early photographs of me might as well be sepia. It's always thought that I disclaim television and am too theatre, but the truth is 'The Avengers' bores me now. I was grateful because it catapulted me into...

I step into a character in my public life. People who don't make that distinction are dooooomed.

I confess I do a lot of the wrong things: I smoke, and I drink wine, and people might be horrified at my eating habits - I eat when I'm hungry, and if I'm not, I don't.

I regard bed as my best friend.

Many years ago, when I was working on Broadway, I used to go to a drug rehabilitation centre on Sundays. I didn't lecture them against the perils of drug-taking; I gave them drama therapy.

When my marriage broke up, I went to three separate therapists, and each was worse than the last. I can only speak for myself. There are other people it's been incredibly useful for, but not me.

If a man holds a door open for me or pulls back a chair so that this old bag can sit down, I'm delighted.

It's a question of economics. If you're paid the same as a man, which now you are in this profession, you're equal.

I love women but am aware we're dangerous and deeply competitive, although I gave up being competitive long ago.

You hand the baton on, and that's why roles like 'Medea' resonate for years and years, as each new actor comes to it.

'Medea' is an enormous challenge for an actor physically, mentally, emotionally. You have to dig very, very deep, and to work, your performance has to be very personal.

Most of the women in Greek tragedies have their fates predetermined. The gods dictate that such and such will happen to them, and everything they predict comes true. Not Medea.

It's particularly exhausting because Medea is defined by her determination. The role is all about endeavour.

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