Dawn Richard Quotes

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A lot of 'Blackheart' was me, literally in a dark room, confessing my sins; Poe was the influence for that album. But that melancholy has a hopefulness - in every Poe story, there is always a moral at the end.

My director, Monty Marsh, is really awesome - I've been working with him for years now.

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When I was growing up, there was no one. There were very few black women in tech; there were very few black women in the fashion game. We didn't have our Grace Jones - Grace Jones was before my time....

It's always interesting when you're doing things yourself - getting the lighting, getting everybody together. It's exciting.

I don't wish homelessness on anyone, especially when you come from where your parents work hard.

You don't know how far you can go until you push it.

When I was 4, I had a schedule. I was playing softball. My brother was playing football. My parents were teachers, and they'd owned businesses. We like to work hard. Work and then books. Books and then work. We just...

I watched my parents lose everything, from a house to birth certificates. We were homeless for about six months, then we stayed in Baltimore, and my parents got jobs.

I had no idea that what I thought was my low wasn't really my low. That's what a lot of people think - then life reminds them, 'No, there's lower.'

I'm not a very open person.

It doesn't bother me when I'm labeled, but it's so... limiting. It's so boxy.

I want to show that you can be just as amazing as labels and compete as a business and work as a business even though you're an artist.

'Blackheart' was the moment for me to really open up and let people into the world that is me.

There's definitely that tribal Africana thing going on in my sound. It's that marching band, second-line music, that Creole-influence in the kick, and the snare that drives everything for me. I think it's really what's separated my sound from a...

I'm big on showing people versatility. I'm constantly trying to push myself to break barriers and the idea that we have to stay in one lane.

I come from an era where lyrics were full of imagery and metaphor, and that's all I know. I think people miss that.

I connect so much with Peter Gabriel's sound because, to me, he always had that South African vibe. His drums were always something to move to: it was almost like Calypso. I'm a big fan.

There's a fine line between artist and product. I don't think the industry purposely does it, but I think that's just the way they maneuver. You have to be careful that doesn't become your story, where you become a product,...

My uncle is in the hall of fame for creating by hand some of the most intricate Indian Mardi Gras garb.

When you see what you really are, good or bad, there is a fearlessness to understanding your purpose.

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