David Slade Quotes

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I'm a big fan of horror movies. But I prefer visceral to viscous, let's just say that.

I believe the most interesting thing to look at in the world is the human face, so that is why I tend to be a little closer to human faces than maybe other directors will be.

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I think if you have too much fear, you're never going to break ground or develop.

I think, as a filmmaker, you're always responsible for your film.

I'd love to make films in England, and I tried to. I think there's a wealth of amazing talent and astonishing writing over here; there just seems to be more of a culture of developing films than actually making them.

'Twilight' was a cult film, and the books were huge, but after 'New Moon,' it really blew up.

Appreciate good coffee when it's available, but drink whatever they have on set and always say thank you for it.

To get the film in your head on the screen, first you have to take it out of your head and explain it to everyone who is working with you. This will take work and planning.

Being able to communicate what your vision is clearly and with specificity is the most important thing a director can do.

Make the film that you love. When you find a film that you love, every molecule of your being will be moving in the direction of making the best film you can possibly make. This should be your default mode...

It's funny: I rarely reference anything, and I'm one of those people that doesn't really spend much time in other people's worlds. I just try and create my own and make it as distinctive as I can.

I look for challenges. I really do.

Francis Lawrence is an astonishing filmmaker, an incredibly gifted visual filmmaker. I have great respect for his work.

When you are doing music videos through the '90s, which I did, and the 2000s, you were put in the position, really, as an independent filmmaker. You were being financed by a major record company or a minor record company...

I think filmmaking is largely about preparation and taste and luck. If you have all of those three things, I think you will find you can work somehow.

With 'Cold Skin,' I believe we can create a lasting psycho-physiological horror film. It is one of the most atmospheric, terrifying, cinematic, and original stories of the human spirit.

Certainly there is a lot of collaboration, but there is also a lot of clarity that has to be had in the vision that you have for the film when you come in as the director. Without that, there's no...

Film is always a fight because you're the person, as the director, with a clear picture in your head of what you think is really exciting, and you're just trying to convince a bunch of other people to buy into...

I don't see myself as particularly highbrow. I am much more populist.

Personally, I have nightmares about the unstoppable monster.

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