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David Farr Quotes

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Sometimes we don't want to be lectured; we prefer to be taken on a journey.

The reason it's called 'The Heart of Robin Hood' is that he starts off not having a heart - or certainly not being in contact with it. And through a series of stories, he learns to discover that he has...

I was very struck by the fact that Robin Hood became increasingly taken over by the middle and upper classes. He starts out a bandit but becomes a fully fledged aristocrat.

The forest has always been a place, in fairy tales and in Shakespeare, where you go and discover who you are. You get stripped of everything you thought you were, some type of ordeal takes place, and you come out...

There's nothing more frightening - and exciting - than getting lost in a forest. There is a journey towards the light, and you've got to go through the dark to get to the light. That's what the forest is all...

Comedy is good at analysing and dealing with evil because it doesn't present it as evil but a collection of banalities.

All comedy is funny because it tells us truths that we recognise through laughter, but that doesn't mean it can't be unnerving. Think of 'Fawlty Towers'; it can be very, very dark, but by God, it's funny. The two things...

Directing is extrovert and gregarious; writing is isolating, introverted, and lonely.

Most Robin Hood stories are not very exciting. There are not a lot of surprises.

When you go into a forest, anything can happen.

We go into nature to transform.

The character of Robin Hood stands for the deep anger of the dispossessed against the ruling classes.

The story of Ilium, the ancient city of Troy, has always gripped me.

'Fall Of A City' aims to convey, in all its emotional richness, the effects of war and the toll taken on city and family by the horrors of siege.

Perhaps I'm temperamentally driven to see things from the point of view of the attacked rather than the attacker.

I love telling stories. I don't really think in terms of clear 'aims.'

The world in the '90s had seemed somewhat stable. There was talk of the end of history, a calm consensus around where we were all going. Consumer capitalism with some sort of social conscience. Then 9/11 happened, and that illusion...

We don't live in vacuums; we do care about the world, and we do want to believe our country is doing the right thing on our behalf.

The thriller protagonist is really just us in extremis. He or she is this individual who is placed under enormous pressure, has huge moral dilemmas and decisions to make.

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