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Damien Chazelle Quotes

Most Famous Damien Chazelle Quotes of All Time!

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It's interesting when you wind up distilling all your ambitions and your goals and dreams into one single person. It's giving that person a lot of power.

I handle screenings and award ceremonies really badly.

I was a writer for hire. I wrote to pay the bills.

I didn't feel the kind of joy every day playing drums that I thought you were supposed to feel.

I was a kid living in New Jersey, who - I'd wanted to make movies since I was a little kid, so that came before music for me. But I started playing drums just as a hobby, and I wasn't...

My version of a stress dream is, really, showing up on a concert stage with a drum set and not knowing the chart.

People like Art Blakey and Buddy Rich, you look at them playing music, and it's just like looking at a heavy metal drummer. I mean, they're playing with the same amount of ferocity. It's not to say all jazz is...

At the upper echelon of musicians in general, I guess performers in general, you have to have this kind of live-or-die, cutthroat mentality.

I hadn't seen that many movies that really go deep enough into the fears of playing music or the language that musicians can use to treat each other or, like, the way that you can see it dehumanize and the...

I had seen a lot of music movies that celebrated music or that showed the kind of joys from playing music, which is a big part of it of course, and not something that I would want to deny.

It's a weird thing where, especially in jazz, you have to totally mention cutting sessions and people one-upping each other and people being super, super tough on each other. And out of it emerge these genius musicians.

I've always, especially through old Hollywood musicals, loved just to watch tap dancing; I adore it. I think it's fantastic.

The end result of my personal story is that I became a really good drummer, and I know myself well enough to know that I wouldn't have without this really tough conductor and this really cutthroat hostile environment I was...

As a kid, I was just writing scripts and taking whatever film classes I could in college.

Certainly, my manager Gary Ungar was the first person to give me any attention and hustle for me. This was back in 2009.

I remember when I first met Jason Reitman with the 'Whiplash' script; he quickly became a mentor figure who guided me through the process and also protected me and made sure that when it came time to actually make 'Whiplash,'...

I remember being inspired myself when smaller films, whether it's 'Beasts' or 'Winter's Bone,' wound up in the Oscars lineup.

I was in high school, and when you get to be 14, 15, you start to feel a little more like your own person so that you can assert your adulthood a little bit.

As delicate as 'Guy and Madeline' was, it was important that 'Whiplash' come off as more of a fever dream.

I'm a terrible procrastinator.

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