Coltrane Quotes
Most Famous Coltrane Quotes of All Time!
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I wanted to make somebody feel like Coltrane made me feel, listening to it.
When John Coltrane passed, we were in the church for the memorial. Albert Ayler came walking in playing, real out there. He was actually mourning through his horn. Mourning, but it was also like a call to wake up. Wake up!
When somebody turned me on to a Coltrane record around seventh grade, I took up saxophone.
When I have to compete with John Coltrane and Miles Davis and Louie Armstrong on iTunes, which I'm doing now, that's a problem. That means that jazz is not being heard by younger audiences.
Jazz is very important. It's not something I can put my finger on. When I'm writing at my favorite time, I like to have the gentle side of Coltrane or Brubeck on the CD player. It creates sort of a spiritual space in which I write best.
My father was a jazz tenor sax player. He played in a lot of big bands. So I had that sound around me all the time. The first record that really caught my ear was Clifford Brown's 'Brownie Eyes.' I grew up listening to John Coltrane and Illinois Jacquet. This is where I come from... I love improvisational music.
Actually, a lot of my influences were horn players. I really liked Eric Dolphy, John Coltrane and Miles Davis - people like that. My dad had a lot of those records. So when I started playing jazz primarily, it wasn't jazz guitar that I was listening to.
I haven't been afraid of John Coltrane or Miles Davis or Bill Evans or Wayne Shorter or Herbie Hancock. Why would I be afraid of the Beatles?
I grew up listening to John Coltrane and jazz, so they were subtle influences. I sometimes think about doing some kind of weird jazz record, but I don't know... It's on my list of things to do. I don't want to have to then go promote it.
I listen to anything anyone gives me. I always go back to a few basic favorites. I can always listen to Django Reinhardt and hear something I haven't heard before. I like to listen to Art Tatum and Coltrane and Charlie Parker. Those are guys who never seem to run out of ideas.
My thing has always been that the clothing we make is kind of like music. There are always critics that don't understand that young people can be into Bob Dylan but also into the Wu-Tang Clan and Coltrane and Social Distortion.
I skipped school one day to see Dizzy Gillespie, and that's where I met Coltrane. Coltrane and Jimmy Heath just joined the band, and I brought my trumpet, and he was sitting at the piano downstairs waiting to join Dizzy's band. He had his saxophone across his lap, and he looked at me and he said, 'You want to play?'
The people I really admire, like William Blake and John Coltrane and Richard Wagner, had these ridiculously full universes that took their entire lives to describe.
I don't think we listened to any rock n' roll at all in the early days. It was Miles Davis and John Coltrane 95% of the time.
I was raised on jazz. My father, from the time I was born, used to get up early on Saturdays and Sundays and put on Count Basie, Duke Ellington, Kenny Burrell, Sarah Vaughn, John Coltrane - all these great, classic albums.
Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
When Coltrane died, a void appeared in this music that has not been filled yet. He maintained a forward motion in his work and did not look back.
In America, for a brief time, people who followed Coltrane were studied and considered important, but it didn't last long. The result is that the kind of music I played in the '60's is completely dismissed in this country as a wrong turn, a suicidal effort.
Growing up, I listened to a lot of jazz and blues records - John Coltrane and Etta James. I was also really into Radiohead and the BeeGees.
John Coltrane - I've been listening to the 'Trane again. It blows you away, because I know more now and I hear more now and I had a life that I've lived!
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