Clothes Quotes
Most Famous Clothes Quotes of All Time!
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It has always been the prerogative of children and half-wits to point out that the emperor has no clothes. But the half-wit remains a half-wit, and the emperor remains an emperor.
Growing up, I wasn't allowed dolls, and my brothers weren't allowed guns. I inherited my brothers' clothes. I was never dressed in pink, and they were never dressed in blue; there were none of those rules that people still bizarrely subscribe to.
Grown-up clothes are more appealing because customers need to be able to project themselves into them.
I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
To say something nice about yourself, this is the hardest thing in the world for people to do. They'd rather take their clothes off.
Lots of people think they're charitable if they give away their old clothes and things they don't want.
I've always enjoyed searching for clothes. I like thrift stores and vintage stuff, and not so much going to Urban Outfitters. What got me interested is having to choose dresses for the carpet, and doing a lot of shoots with really cool clothes. I've gotten to try on a lot of things that I've liked, and some things that I haven't.
I get so bummed when I have to return the clothes I'm lent. It's easy to feel so special, but like Cinderella, you lose your shoes.
How strange, when your father's wearing women's clothes and platform shoes, that a pair of loafers looks incredible.
I like classics but I always add a twist because I don't like to think of my clothes as classic.
I myself had to grow a longer beard and Afghan clothes. I was in danger of being kidnapped by smugglers, though I didn't know it at the time.
When you don't have a laugh track, you can make the clothes funny. We can make a sign funny. We can make the way somebody walks funny. The makeup can be funny.
I love clothes. Maybe I can say I don't love fashion, but I love clothes completely.
I want to make clothes that are beautiful of course, but also clothes that are interesting and considered and intelligent and not out of place.
My first ballet class was on a basketball court. I'm in my gym clothes and my socks trying to do this thing called ballet. I didn't know anything about it.
Anything new is a sort of adventure - as a child, I think I was quite bad at tackling new experiences, like unusual foods, and I hated new clothes or having my hair cut.
Teens are dealing with the same problems now in the '90s as they did back in the '70s, the only real difference is the clothes we wear!
From the age of 8, I learned that nothing in the entertainment industry is real. It's all fake. Your face, your clothes, what you say - it's all a fake.
Indigenous people all over the world take quite a lot of trouble with their hair and their clothes.
Being a female athlete, sometimes your clothes don't fit right if you have a small waist and broad shoulders, or strong hips. And it's OK to embrace that.
When I get really hammered I take my clothes off. That's a sure sign. It's been a long time since the last time I did that. Probably a year.
I try not to pay any attention to clothes fascism and I'd rather be thought of as someone who has his own sense of style.
Because of what's going on with the economy, I think women are realizing that maybe they don't need a closet full of clothes. They just need the right clothes.
I can sketch up a storm, and I'm very involved in how clothes are constructed, but I have a short attention span.
American women often fall into the trap of, 'Oh, these are my weekend clothes. These are my work clothes. This is what I wear at night.' It's so old-fashioned.
Clothes make the poor invisible. America has the best-dressed poverty the world has ever known.
On the first day I got my wheelchair, I was also given all my clothes for the next day, a little pile on the chair. I was so proud of myself for getting it all on - the socks and everything. Dressing is a struggle, and it can take up to an hour and a half.
The song 'Bite the Thong' in particular, with Damon Albarn, really encapsulates the whole dilemma of, 'Hmm, should I stay on the underground when everybody else is selling out?' Nowadays, you can just do it - have your name-brand clothes, do songs with rock n' rollers - and it's not considered selling out.
It's so much harder to keep your clothes on than take them off in this business. Even in Exotica, they wanted more nudity, but I didn't feel comfortable.
Rick Owens is my desert island designer. I could live in his clothes alone, and I collect Ossie Clark.
Through tattered clothes, small vices do appear. Robes and furred gowns hide all.
Beware the old man in young guy's clothes. If he's over 35 and comes to pick you up looking as though he's headed for a skateboarding competition while you are dressed to go to a nice restaurant, this is not a good sign.
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part.
I'm horrible to live with. I don't clean. My clothes end up wherever I take them off. I forget to flush the toilet.
At 15, I was modeling. I had to do my own hair and makeup. I also made my own clothes because I grew up in South Africa, where fashion was six months behind because of the seasons.
I've been inspired by Coco Chanel. She broke all the rules of her time when she was designing. She pretty much revolutionized the way that women dressed at the time, and in doing that, she modernized the way they looked because they could move more freely in their clothes.
The vanity of loving fine clothes and new fashion, and placing value on ourselves by them is one of the most childish pieces of folly.
For clothes, I like Dover Street Market and Acne. For vintage, I go to Mint just off Seven Dials. For shoes, it's Church's and Russell & Bromley.
When I was young, clothes were really just about what fit, because Ashley and I were so tiny. So I understood fit before I understood style.
All the clothes in my closet are Oakland, California, clothes. You can't wear those anywhere else. The barometric pressure drops and then where are you?
I always designed clothes from a very young age because I didn't like the way they were. They were paralyzing; they were stilted.
I saw no reason why childhood shouldn't last forever. So I created clothes that worked and moved and allowed people to run, to jump, to leap, to retain their precious freedom.
I nursed men back to sanity who were driven to despair. I solicited clothes for the ragged children, for the desperate mothers. I laid out the dead, the martyrs of the strike.
There's a certain amount of absurdity to the idea that having extremely crisp clothes is what's going to get you through the door. And there's a certain sad reality to it, too.
Kip Keino, Moses Tanui, Paul Tergat, they all come from my tribe. Some say it is the food we eat that makes us strong, the way we live. In the history of our people we wear no clothes and we are used to drinking the blood of animals.
I hate clothes. As soon as I get home every day, I take off as many clothes as possible.
I'm going to try to play some good guys for a while and just see how that is. It's hard to enjoy them as much as the bad guys, and the clothes are nowhere near as good. Good guys don't wear nice suits!
I want to make music for everyone. I'm not trying to start a super exclusive group. I don't want a clique of people where you have to wear a certain type of clothes to come to our shows, or you have to be the ages of this and this.
When I was a child, I lived in Morocco, and I would always buy a lot of beads from the markets and to make jewellery for friends. Later, at 18, I would do my own clothes and make my own patterns. When I first came to New York, people just assumed I was a stylist because I was so into fashion.
I don't like a tormented photograph. Something attracts you in them, but the attraction isn't because she has a pot on her head or tonnes of make-up and weird clothes and weird everything.
One of the achievements of our generation of feminists was to emancipate women from the division between being interested in clothes and appearance, and being serious and ambitious. I am of the first generation that could go to Biba, wear miniskirts and get a degree.
I want to provoke people with thoughts, not by taking my clothes off. It's time to move on from Stripperville.
If you fold your clothes in the formal spark of joy, you can actually make the joy last longer.
For kids, it's best to teach them how to fold their clothes first. Kids will be able to fold their clothes at about three years old. You don't want to teach them how to put away toys first because it's difficult. Clothes are something kids wear every day, so it's easy for them to have a sense about their belongings.
As a kid, I always used to make clothes. My grandmother made everything with me - she taught me how to knit.
The idea was to have something wearable that fit with my reality, which was being a mom with two young kids and not always wanting to wear jeans. I still wanted to wear interesting clothes, and the options out there I found were either very expensive or very cheap. There was a big gap in the middle.
I'm quite enthusiastic about any kind of gadget and app and feature and things that enable me to have a very convenient lifestyle. We buy our groceries on the Internet; I buy furniture, clothes for myself and my kids.
All the clothes I got before my son was born; he can't really wear them! Either you can't wash them, or they're too hard to get on and off - you know, so many baby clothes have sleeves that don't let the baby's arms go in and out. It's ridiculous!
I'm not keen on the Mini Me trend. In my opinion, kids' clothes should be kids' clothes.
I grew up in the same place as my mother, seeing the same trees my mother saw when she was at work; the flowers I picked were the flowers that my grandma planted. We have different styles; I wouldn't make the same clothes that my mum made, or my grandma, but we have the same taste.
I think that clothes and accessories define and describe who we are. I can't see many differences between them; they are indeed a way to introduce ourselves to other people, and they help us transmitting a message to others.
Standing as a witness in all things means all things - big things, little things, in all conversations, in jokes, in games played and books read and music listened to, in causes supported, in service rendered, in clothes worn, in friends made.
I'd like to believe that the women who wear my clothes are not dressing for other people, that they're wearing what they like and what suits them. It's not a status thing.
At the Miss India competition, I didn't think I was going to win, I didn't know how to wear makeup, I did not have the most glamorous clothes. I was like a nerd who was put among glamorous, beautiful and talented girls, and I didn't know what I was doing.
I met Chanel in the 1960s when I was working over in Europe. She sent me clothes all the time because I was only, like, 110.
You can take any one of our stories that we use right now, put western clothes on us, stick us out in the west and they'll work just as well - any single one of them - because they're stories about people, they're stories about things.
On a film, I was always acting. I was either changing my clothes really quickly and wiping off the lipstick and putting on the other lipstick and then working constantly, constantly.
'Kit Kittredge' was an amazing experience because I got to go to Canada, and it was my first 'era' film, so I got to wear the 1930s clothes, the real vintage clothes.
My collection with Missguided is all about doing you - it was completely my process; I designed the whole thing and didn't let anybody make decisions for me. I'm creative in my own right, and I wanted the collection to reflect that. The clothes are very much based on my daily wear and are very versatile, as they can be dressed up or down.
I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
When I first came out, I was a film student, and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did.
I was a total floral hippie as a child so when I finally could make my own choices, I've been living in different black suit jackets and been really drawn to masculine clothes.
As a child, I was tortured because my mother was a brilliant seamstress who made most of my clothes. I was despised by the children at school because I looked like I was going to an opening every day. We weren't wealthy at all; we lived in a row house in Philadelphia.
I knew who Jackie Kennedy was in terms of being the wife of JFK and being a clothes horse, and I knew that she later married Onassis, but I had a very, very vague idea of who he was.
My grandma, Nai Nai, has had the clothes she wants to be buried prepared since she was like 60. I guess there is an openness to discussing. It's part of life. It's part of the every day.
Americans girls always ask me where I get my clothes, and I say, 'Ha, you can't get this over here.'
I love Stella McCartney because she's timeless and classic, and I love Isabel Marant for wearability - you don't need 'an occasion' for her clothes.
She had a womanly instinct that clothes possess an influence more powerful over many than the worth of character or the magic of manners.
Do I care about clothes and stuff? Not much. It's a bit sick, isn't it, people spending all that money on clothes? I'm too stingy. I wouldn't pay £100 for a shirt.
What is Americanization? It manifests itself, in a superficial way, when the immigrant adopts the clothes, the manners and the customs generally prevailing here. Far more important is the manifestation presented when he substitutes for his mother tongue the English language as the common medium of speech.
The silhouette is the most important thing in clothes. Every French girl knows that. High-waisted trousers give you long legs and a pretty bum which, after all, is what we all want.
I definitely would say, by sixth grade, I was a professional shoplifter - and not because I wanted to. I'm not going out to shoplift earrings or clothes or shoes like the average teenager. I was shoplifting frozen dinners at a grocery store.
I was actually so small that my baby clothes were actually doll clothes from Toys 'R' Us because that's all that would fit me!
Fashion is a good job for a young girl. I like clothes - I like to play with clothes. I like DIY; I like to make outfit.
I know how much parents love buying clothes for their kids and how they want to give them something new in the closet.
I would wear flamboyant clothes and long hair, and most singers at the time didn't.
I love my shoulders; they're strong. I like the way they move, and I like the way they look in clothes.
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