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Chuck Close Quotes

Most Famous Chuck Close Quotes of All Time!

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In the 7th grade, I made a 20-foot long mural of the Lewis and Clark Trail while we were studying that in history because I knew I wasn't going to be able to spit back the names and the dates...

I don't care about the Guggenheim. The Guggenheim isn't involved in anything that I am interested in. I don't care about motorcycles and Armani suits.

Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.

I don't work with inspiration. Inspiration is for amateurs. I just get to work.

I'm poor white trash from the state of Washington.

Of all the artists who emerged in the '80s, I think perhaps Cindy Sherman is the most important.

Photography is the easiest medium with which to be merely competent. Almost anybody can be competent. It's the hardest medium in which to have some sort of personal vision and to have a signature style.

If the bottom dropped out of the market and the artist was not going to sell anything, he or she will keep working, and the dealer will keep trying to find some way to convince somebody to buy this stuff.

I only have so much time and energy and money, and I'm going to put it into my work.

I have no intention of flattering people. I like wrinkles and crow's feet and flaws, and somebody should know, if I'm going to photograph them, that's going to show up, you know?

I think women realise that I love women, and very often women seem to love me.

Women in general interest me. I like how women are more liable to talk about real things, personal things.

I think most paintings are a record of the decisions that the artist made. I just perhaps make them a little clearer than some people have.

I discovered about 150 dots is the minimum number of dots to make a specific recognizable person. You can make something that looks like a head, with fewer dots, but you won't be able to give much information about who...

I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just...

Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.

You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.

I always thought that one of the reasons why a painter likes especially to have other painters look at his or her work is the shared experience of having pushed paint around.

It's always a pleasure to talk about someone else's work.

I'm very learning-disabled, and I think it drove me to what I'm doing.

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