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No matter what you eventually become - free, empowered - the lingering feeling of 'once an outsider, always an outsider' is very vivid for me.

I have Googled so many things related to possible diseases, and it's always ridiculous. Like, 'My toe is hurting. Do I have cancer?' 'I have a scratch in my eye. Am I going to die soon?' 'Is eating a soup...

I love funny women.

I'm terrified of dying because of everything being too unfinished. I would be happy being a ghost.

When I have to take phone calls, I start to sweat and panic. Being on the phone is so weird - hearing a voice without seeing the face so you can't really know the intention behind the voice.

I've always been obsessed with being on stage and putting shows together.

That's pretty much how I feel on stage, like I can let go of all kinds of baggage, or even disappear and change outfits. I want to remind people that they can grant themselves the license to do the same.

Typically, in France, someone in my position should keep their mouth shut. I'm an entertainer, operating in the realm of pop, and it's often looked down upon for a pop artist to take a stand, to have convictions or opinions....

I've always really been interested in observing people's postures, the way they speak with their hands, the way they communicate things with their body language.

The way I dress definitely helps me embody and actually change my way of behaving and feel more confident.

I think I used Christine, who is my stage character, as an excuse to finally be myself, as if I needed to say, 'Oh this character is going to be the woman I wanted to be.'

I always knew I wanted to be a woman in men's clothing because I just feel good like that. I feel like I'm taking a different space: I move differently; I'm more at ease.

There are lots of ways to be a feminist. Beyonce, for example, is a beautiful example of feminine sensuality and is still really powerful. My character and my inner essence is more like an awkward 15-year-old boy, like a teenager...

I always wanted to be Romeo, not Juliet. Romeo is a much cooler way to be - Juliet's just up in a balcony, waiting.

Every masculine hero narrative I could find I wanted to steal for myself and twist to my size.

The core of all the music I love is a good bass line and a good rhythm.

Dancing, for me, is like a second language. It's the best way for me to get out of my shell and be expressive in a very personal way.

I remember writing '5 Dollars' out of intense listening sessions of Bruce Springsteen. I don't know if it's obvious, but I was obsessed with how limpid Bruce Springsteen's melodies are: It's such a great way to do storytelling and to...

Christine and the Queens is born out of a particular moment in my life where I was quite low.

I think 'Chris' is way more about that, about living desire as a force of chaos and about reveling in that chaos.

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