Character Quotes
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Shaheed Diwas 2026
I'm sure some of the characters in 'X-Men' had a lot of physically demanding stuff to do, but my character's pretty much stand-and-deliver, stand there and throw fire at people. There's no acrobatics or anything.
I am not sure how much good is done by moralising about fairy tales. This can be unsubtle - telling children that virtue will be rewarded, when in fact it is mostly simply the fact of being the central character that ensures a favourable outcome. Fairy tales are not, on the whole, parables.
I'm involved in some action scenes, so they'll train me for that. I'll be working with my acting coach to prepare for my character.
When I prepare for a role, I try to get inside the character's head and understand him.
I have a new show now called 'The Bridge,' where I play a guy who's a real-life guy. My character's based on the life of a guy named Craig Bromell who was a cop for 12 years and then became head of the police association, so basically the president of the union for 85,000 cops.
On 'The Dragon Prince', we wanted to push that even more to leverage the strengths of a CG and 3D pipeline. We wanted details on the character designs, in the costumes and sets, that you really can't get in traditional 2D animation.
We have a writing process that's very much you try to create the character in a complicated way and then you let the story lead you to discovering who the character is in a natural way.
A lot of cable television is shot on a single camera. Our eyes are more trained to that. It takes the camera off the crane, away from observing the action, to becoming a character in the story along with everyone else. People are getting used to that.
Gordon Brown is a character from a tragic opera, twisted by ambition and a Presbyterian sense of fateful destiny. He has waited 13 years, mostly in Tony Blair's shadow, for this poisoned chalice and has a pessimist's luck.
So far as regards their moral character, the Finns have as little cause for reproach as any other people.
If you think too much about playing an icon, it will immobilize you. You have to treat it like a fresh character. Sure, there are guidelines so that you don't upset people, but you have to find your own way.
My dissertation focused on the character traits and personality types of successful women.
Escapism, we are led to believe, is evidence of a deficiency in character, a certain failure of temperament, and like so many -isms, it is to be strenuously avoided. 'How do you expect to get ahead?,' people ask. But the question altogether misses the point. The escapist doesn't want to get ahead. He simply wants to get away.
You spend so much time writing a character the way I did with Buddy Baker and then Green Arrow that you start to care about them. And you almost think of them as people, you know?
It's one of the main things that I love about my job. You are never playing yourself, so I really love that I get to be someone else, play a different character and take on that persona, but I also have to take on their qualifications.
The thing I respond to the most is just great writing, interesting characters. I like to think that there is something fun about playing a character that has a lot of authority in her own life.
I live in the energy and rhythm of the character. To some degree, that's true of every actor I've worked with.
Who isn't a fan of Jeff Bridges? And he is such a unique character. I can't think of anybody who's quite like him. He was a lot of fun to be around, just personally.
Once you've established where you are, you go to the character and elaborate on expressions and action.
Well, if you look at the whole story, I mean there's only Jews and Romans in the story. I mean I just wanted to flesh that character out and make that a drama about the people around Christ when he was going through this passion.
With any show, when fans come up to you, they assume you're just like your character.
When people embrace character, there's latzie. It's the stuffing of a scene that's not written. It's not in the stage direction and it's not in the words. When people embrace character, it informs their living, breathing moments in a scene so well.
In 'Road,' my character is linear and uni-dimensional. It was more of a reacting character. I am a foil to the other characters in the film. It is the most normal character in the most abnormal, extraordinary film.
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