Character Quotes
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If people can come out of 'Bin Roye' feeling even just a little bit of what this character felt, and touched your heart, that's enough for me.
I guess I really always wanted to act. When I was seven, I actually had the opportunity to come out to California. I've always really loved playing a part, playing a character and being someone else.
The physicality of any character is always split up into fast, slow, high energy, low energy, what kind of personality he has. So that's where the physicality comes in. And flying through the air is just something you have to do if they ask you.
Michael is a funny character, for whom I have a great deal of affection. He sat across his desk and seemed to be a bit of a blunt fellow. We began talking about the characters and he opened up about his vision.
I really enjoyed entering a new world and getting to know a new character - the world of 'Grimm' and becoming a Wesen.
When I was in Toronto shooting 'Hemlock Grove,' I'd spend a couple of hours in the makeup trailer every day because my character had all these tattoos. I was telling one of the artists how bored I was - I didn't really know anybody - and he said, 'Pick up a ukulele and start playing. They're 30 bucks for a cheap one.' And I did!
It's a great challenge to get to play a real-life character. Every actor would love to get a chance, at least once in his life, to play a real-life character.
Luckily, I have been offered the chance to play a South American, Hispanic and even a character from the Middle East in films. There are also a lot of TV series in the U.S. that have a strong presence of actors from India.
I do love that witches haven't really been explored that much. Usually, witches are the little side character... a bad female character that comes in and leaves.
Usually, witches are the little side character... a bad female character that comes in and leaves.
When I was just starting out, I had two choices: I could be the beautiful girl on the main man's arm as decoration, or I would have to do a little independent movie to get any depth in the female character.
It's not very often that you get to come up with ideas and bring your take on the character and then actually have writers, producers, and directors pay attention to it.
Back in the mid '90s, I went to a film festival, and they were airing 'Central Park West' at the same time as this cute little romantic comedy movie called 'French Exit,' and I got to go from one theater where I was goofy, falling over myself, to this kind of evil vixen kind of character.
It's hard for people to differentiate between a character they see on television and a person who plays the character.
Attracting the next generation of IoT talent will take more than money - it's just as important to nurture a team-based culture of diversity and openness in which every voice is valued. This not only appeals to younger workers but also aligns with IoT's network character.
All the parts I get offered are character and comedy parts, and I probably wouldn't get them if I had a different face. So I'm glad I have a comedy face.
I joined a radical group at the age of 16 because I'm a passionate man; the good news is that I turned myself around since then. But my character is still quite free and passionate.
A slave government is an oligarchy; and one, too, of the most arbitrary and criminal character.
All legitimate government is a mutual insurance company, voluntarily agreed upon by the parties to it, for the protection of their rights against wrong-doers. In its voluntary character it is precisely similar to an association for mutual protection against fire or shipwreck.
In sheer genius Pascal ranks among the very greatest writers who have lived upon this earth. And his genius was not simply artistic; it displayed itself no less in his character and in the quality of his thought.
As an actor, particularly because I'm - I would call myself a character actor. I change my look, my physical appearance and my body, my hair color, my whatever all the time for a role.
One of the things that all authors of fiction must learn to judge is whether - and in what detail - to describe the face of a character.
I think a four-year ban would effectively rule out one Olympic games - a life ban is too harsh. I think everyone deserves a second chance. If you come back from missing one Olympic games and serving a four-year ban, you are a pretty determined and reformed character.
And my father was a comic. He could play any musical instrument. He loved to perform. He was a wonderfully comedic character. He had the ability to dance and sing and charm and analyze poetry.
The fact that a man is a newspaper reporter is evidence of some flaw of character.
I want to create a TV show that people will watch and say, 'Hey, I have a favorite character,' or 'Hey, that person reminds me of myself,' or 'Hey, I've made some of those same mistakes, or those are some of the things I've dealt with.'
Stealing Chanel' was very different for me as an artist. I had to embrace and expose my vulnerabilities, instead of manifesting a character.
Anne Boleyn is certainly the most exciting character I have played on stage.
Anne Boleyn isn't a sympathetic character, but I like that she isn't a people pleaser. She's ambitious and manipulative, but she's honest. I'm biased, but I don't think a woman who has said 'no' to the King of England for six years would jump into bed with four of his best friends. She was a slick political mind.
We all have the right of freedom of speech under the First Amendment. We all don't have to agree with one another on our opinions. Everyone in my circle, that I run around with, we all feel the same about God, country, integrity and character.
In some ways, every character we write, especially the protagonist, is some version of ourselves, as a writer/director, even if they aren't the same gender.
Acting is very much like a child making believe. I'm not one to become a character, but I fall in love with the character. It's like having faith; you're going to be that person for a while.
I pray to be of service to the playwright, the audience, the other actors and my character.
I think every character I play definitely has parts of me. I can't ever play someone that's completely different to me.
It's nice to sort of walk in and at least create the illusion that you are, or your character is, a well-rounded human being, a complete person. Especially when you're playing these impressive, high-functioning professionals. You feel like you have to come in sort of guns blazing.
If you're a film composer, you have the music tell the story of the character.
Whoever has the luck to be born a character can laugh even at death. Because a character will never die! A man will die, a writer, the instrument of creation: but what he has created will never die!
Once you embody the language, the character comes really naturally, especially when you put the costume on.
I'm sure my agents would like me to play leading roles, and I guess I should, but I'm more interested in the character parts. They're more fun, challenging and interesting.
To be honest, and I may regret saying this, the idea of playing the same character for a very long time is very daunting to me.
To me the voice has always been the way to start any character. Once I find that, I'm good to go.
My character Milly in 'The Boy Who Could Fly' was a very strong part. There were dramatic moments, and there were humorous moments, too. The whole story with Eric Underwood's character was just wonderful, and the messages behind the script were very important to me.
You must lose yourself if you want to be successful in animation and be the character.
Portraying Alex Summers, I want to look as athletic as his character is in the comics.
The prince in 'The Leopard' was a very complex character - at times autocratic, rude, strong - at times romantic, good, understanding - and sometimes even stupid, and above all, mysterious.
I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing.
Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character.
As a director, what matters is how you penetrate the soul of the person in front of the camera and let the actor blur the boundaries between the character and the person themselves. In order to achieve that, I try to make people feel at ease, to be mindless of problems and be skinless and give everything to the camera.
When you are a really iconic character, everyone thinks that's all you can do. It's nice to show people that I'm not a one-trick pony.
Anne Elliot was the one Jane Austen character I didn't fall in love with. She seemed sad and defeated.
She had a womanly instinct that clothes possess an influence more powerful over many than the worth of character or the magic of manners.
It's true I have a hard time with the notion of creating a character. And I feel it's a limit. I'm always really impressed by actors who are able to construct a character, like Johnny Depp.
I think God asks us to promise to replenish the planet and to pay 100% attention to our young so that they will develop character and a good conscience.
'Iron Man' was this fun, poppy thing bound to make a zillion dollars. And we were the other side of a superhero movie. More complex with The Hulk being this complex character - that's what it was.
If I was to direct a movie about a super-confident guy, first of all I would hate that character. I can do a super-confident guy who crashes and burns and has to rebuild himself as somebody humble. But a super-confident guy that just gets more confident and gets the girl and the money and more success? That's not interesting.
Black leadership has to recognize that principles more than speech, character more than a claim, is greater in advancing the cause of our liberation than what has transpired thus far.
Whether you're president or speaker, if you're wrong, we need to stand up and point it out. That's what Martin Luther King had talked about: being judged by the content of our character and not the color of our skin. So some of us pounded away on some of the ridiculous policies of Pelosi - and lo and behold, over time, the public began to see.
The Hulk was a unique character because of his strength and power. He doesn't have a costume like Spiderman or like Superman - The Hulk is more visual. His passion and his strength, that is what separates him from anything else.
When you're playing a real character, you want to honor that person and receive inspiration from that person. They need to anoint you in some way that allows you to borrow just a small piece of their soul. That is the flame.
An author's life is different, complex, and ongoing, while a character's remains frozen in one little story.
If you look at most women's writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writer's description of a female character are, perhaps, a little more judgmental. They're looking for certain things, because they know what women do to look a certain way.
I definitely could not write a character that was cruel or unconcerned with animal welfare. For me, not just as a writer but for the person I am, I love animals.
When you are developing a character you have to bring so much of yourself to the role.
For movies, I usually do an entire book that has all kinds of things about what is happening at the time the movie is going on and try to get into what my character's going to be like, to try to get some consistency, because they shoot movies out of order.
I felt like I was flying without a net. But once I realized that the audience was my partner, I was flying a jet, because the people would allow me to develop the character on stage.
Shirley Valentine is a beautiful character and so well written. What Shirley speaks and thinks is so logical.
Actors are always identified with certain parts. To some, Marlon Brando will always be the Godfather. That's just how it is, whether the character happens to be your own personal favorite role or not. You can't ever get away from it.
My name is Ella; that's who I am at school, hanging out with friends, while I'm doing homework. But when I'm up on stage, 'Lorde' is a character.
As somebody who has wanted to be an actor who is very young, I can relate to somebody who has been practicing oboe five days a week since they were very young. The physicality of anything a character does is a tremendous gift.
In 'Mother's Day,' which is directed by legendary director Garry Marshall, I play a mother figure to the character played by Jason Sudeikis from 'Saturday Night Live.' He's a widower, and I'm a mother who's helping him to get over the loss of his wife.
For four years doing that same character all the time kind of bothered me. Butit opened up a lot of doors.
For me, being able to be vulnerable is difficult, but it's just something that I feel comfortable doing. I need to fully understand why, the thought-process behind the character and I have to believe it. That comes from a lot of preparation.
I think being mean to people in high school is healthy. It's sort of like you're in this situation with all these other kids and sometimes you need to get your aggression out. And if you'd had people be mean to you before, it really does build character.
I try to bring elements of my own personality to every character I've played, but I think I'm pretty similar to the character I'm playing now. The biggest departure would have to have been Freaks and Geeks Sara, who was this sort of subordinate and shy girl.
I think it's necessary to identify with anything - with any character you play, there's got to be something in common, so you can link up to that person, even if it's like one tiny thing. But it's equally fun to play somebody completely different, and trying to find what that thing is to make it.
My video game character is a bit better looking than me, actually. I don't think he has to worry about his hair getting messed up.
Ideally, you end up going to auditions not because you want a job but because you want to try out a character.
I definitely feel that plot flows from character. I don't believe that you can construct a plot and insert people into it.
I love a big, character-rich story with a dark heart, with a compelling mystery or some kind of ticking clock at its center. I want to be lured in by prose, captured by character, and bound by stellar plotting to keep turning the pages.
You can really help support a character if you understand the setting. So for that reason I generally write about Philadelphia.
I think to really be literate in nu shu you only need about 600 characters because it is phonetic. So you're able to then create many words out of one character.
There is no more divisive character in modern politics than Steve Bannon, as he symbolizes the devil incarnate for the heaving, emotional left.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
Everyone on the planet has a dark and a light. That's a multi-dimensional character.
You know, it's scary when you sign onto a pilot of a series because, as much as you want the series to go, you also want it to be a character that you'd be interested in playing for a long time.
I just think there's always room for humanity in acting, one can only hope, so when you bring in the whole life of a person that's playing a character, then surprises happen and are allowed to happen, and so it makes it more interesting.
I do think that people get really emotionally involved in the TV shows that they love and I think that is fantastic. Of course they are going to have opinions. The other thing is that people project onto their television shows. They see a character and layer on many traits that are actually their own or their idea of what that character is.
I would say there is probably a little bit of me in each character. But Purrscilla is a lot like me because she is very into glam and glitz and jewelry and everything very girly. And some of the jewelry in the illustration is even my own jewelry. But I'm not a cat fan - that's the only thing! I'm a dog person.
What I loved about romances was the character, and I think I still bring that to my novels. What romance taught me was that the 'who' will always matter more than the 'what.' It's fun to come up with plots, but I want to make sure the reader cares about who it's happening to.
I still like the relationship part of any story. You don't want your character to figure everything out and then at the end of the day, go home and eat soup from a can by herself.
Humans are generally much trickier to draw because we're so used to looking at and analyzing human faces. The slightest tweak makes a huge difference in how we perceive that character.
I would never, for the sake of the story or a twist, have a character do something that they just wouldn't do. I really couldn't. I'd rather miss out on the twist.
Donald Trump wouldn't work on paper. Obnoxious, crass, boastful, and vulgar, with garish tastes and a Stepford wife - as a fictional character, he'd seem too crudely drawn. Even in a trashy airport thriller, readers wouldn't buy such a boor as president.
There was a point in the latter 1990s at which, suddenly, every sitcom and drama in sight had to have a gay or lesbian character or couple. That was good news as a voucher of the success of the gay rights movement, but it still grew a bit tiresome: 'Look at us! Our show is so hip, one of the characters is homosexual!'
When my marriage broke up... I had just put on 45 pounds for my 'Shall We Dance?' character. I had to eat 10,000 calories a day just to put on weight while training with Tony Dovolani. I basically stayed in bed for a six-month rotation of depression naps. Dance helped me lose the weight.
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