Character Quotes
Most Famous Character Quotes of All Time!
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Getting a random star whose voice is not the right fit for the character but simply adds star value is avoidable as that can actually irk the audience.
As voiceover artistes, we don't transcribe; we translate. One has to communicate what the character is feeling, and introduce humour where needed with a regional flavour that the audience can relate to.
I've just got face: he looks like a brat. The 'I don't like face.' That's how I see it. And I'm not a brat. Sometimes I'm watching a movie, and you see a character and go, 'I don't like him' - that's me.
When I look at character artistes, they begin after 40. For instance, Boman Irani took up his first film after he was 40. Since I too, am in my 40s, I think I am finally getting to be in my zone.
Yes, I have done many roles with negative shades, such as 'Awara Paagal Deewana' and 'Champion.' But in 'Ashoka,' I played a positive character.
I'm building a career as big as humanly possible so I can be in a 'Star Wars' project. My life goal is to have a character in the 'Star Wars' universe, film or other media. I just want to go to my grave knowing I played some character or some character based on my likeness was part of that world.
As Ralph's character begins to discover the political thriller aspect of the film, he falls deeper in love with his wife, so the two run together. That's the beauty of this film. It has fast pace and excitement, but it also has heart and soul.
As much as most of the actors were kind of curious to know what their character meant in relation to the script and to the plot, they really were quite happy to be part of the adventure of not knowing.
Well, obviously I was excited by the idea that Woody Allen was going to direct it. But at the same time, the script itself and the character was really interesting.
New York in a way functions as another character within the story, as it does within most of Woody Allen's stories.
It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.
We don't relate to her too much because you don't want the heroic character to not be heroic.
I've been a character artiste for four decades, and in our job, we learn very early that it doesn't pay to be narcissistic.
When I'm given a role, I'm consumed by a passion to bring to life a character that exists only on paper. I mull over the character for days and internalise his feelings.
When a director narrates a character, I find it normal to ask questions about the character's background, mood swings, eccentricities, behaviour... I do this to make my performance relatable. Directors who don't know their characters well find it difficult to answer these questions and, hence, find me annoying.
What I'd look for are roles in which the heroine's character has substance rather than just glamour.
Dubbing is an important part of acting, and I feel complete only when it's my voice that is heard. Having essayed the character, I know the kinds of emotions that are required for each scene.
For 'Zoom,' as the script demanded it, I opted for a shorter hair-style, as I play the character of a modern girl who is self-made.
I saw 'Star Wars' for the first time when I was four years old. Sure, I thought Princess Leia was awesome. But the character I identified with most was Luke Skywalker. I left the theater certain the Force was strong with me, that I could train to be a Jedi and wield a lightsaber just like Luke.
I begin a book with imagery, more than I do with an idea or a character. Some kind of poetic image.
I love those preliminary conversations about who a character is. You try on wigs, shoes and clothes. It's preferable when it's not about looking pretty. It can get a little dull to just be cute. We talk about things like, maybe my character can't afford these Christian Louboutins.
I wrote 'Fight Song' as this declaration to believe in myself, and that is similar to what you are taught to believe in Girl Scouts. Building confidence. Building character. And above all else, being there for each other as a community.
I'm not dark; I'm not. The main thing I consider in accepting a role is less the tone of the movie and more whether I think it's a good film, whether I like the character and whether I think I could do it. I don't think, 'Oh, I've done X amount of dark films.'
I suppose I'm what you'd called a character actress, so, often, my characters are quite extreme.
I really like working in television and I like exploring a character over a longer period of time, and I like the consistency of television.
I don't mind being the center of attention as a character but in real life it's not for me.
I really enjoy working in television and the evolution of a character over time.
It's a strange thing that we're actors, and we're always playing a character, and then suddenly we're at a place like Cannes, and we're getting photographed as ourselves, and you're like, 'What do you do?'
There's an audience that is paid to laugh at my jokes. I'm playing a character while I'm doing stand-up. Real stand-ups, man, they're playing themselves. I'd be far too terrified.
I think you always carry a little bit of your character you've ever played with you. And I hope I'm able to carry some of Mrs. Maisel with me.
I don't think I was bubbly in 'Oohalu Gusagusalade.' It was a real character.
I work with my acting coach to help me get into character and do pronunciation drills and tongue twisters to help me deliver lines.
I envision the script as a story in my mind, memorize the entire thing and have it play out. It helps me figure out where my character needs to go.
Only in very rare circumstances will you see something cut out of my first drafts. Maybe it's because of the way I write. I'm very focused on the logical progression of the story, and every character has a role to play.
This little hobbit saves the world. The wizard kills the dragon and saves the town. So many people connect to that character; it doesn't matter if it's an elf or a hobbit or a dwarf. It doesn't matter. They're human in their heart and soul.
Though intelligence is powerless to modify character, it is a dab hand at finding euphemisms for its weaknesses.
I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.
If there is something magic about the collaborations I have with actors it's because I put the character first.
Hip-hop is so much about character and caricature that people just see you as a character. Very rarely are you flesh and bone to people.
The mind is exercised by the variety and multiplicity of the subject matter, while the character is moulded by the contemplation of virtue and vice.
I am open to do a Telugu, Tamil or Malayali movie. If I get a good script and good character, I will surely do it.
There used to be times when I used to be bothered about box office, director, producer, the actress... If those ticks were marked, I used to say 'yes' to a film. Later on, my focus absolutely changed. Now if a character stays with me for two to three nights, I say 'yes' to the film.
The whole of the 20th century has always put the car at the center. So by putting the pedestrian first, you create these livable places, I think, with more attraction and interest and character.
When I was younger, I was diagnosed with dyslexia, which meant, for me, sitting in front of a book was really hard - until I discovered Harry Potter, and this character, this 11-year-old boy, who suddenly gets off to school for the first time, captured my imagination, and suddenly reading was fun. Reading was inspiring, and I was motivated.
Sometimes it is beneficial to you and sometimes it is not. So, you should not pay too much attention to controversies. You should just focus on working hard on your film and your character. Leave the rest to god.
Paris Singer had vastly more to do with shaping my character than Mother had; although Mother made innumerable sacrifices for me, and Paris Singer made none. I wanted to be like him.
I am quite sure that a little man who braves ridicule to improve the lot of his fellow men, and is thanked by their jibes, is an interesting character.
The hook is a word or an idea spoken by one character which gives the next character something to hook onto when he responds or, like a trapeze artist, gives him something to swing from on his way to another point of view.
Before I accept a job, I always talk to folks about it. 'Why does he kill these 22 people?' If they say, 'What difference does it make?' I know we have nothing more to talk about. A character has to be three-dimensional.
My character in 'Saaho' is completely contrasting to my character in 'Baahubali,' and I am quite excited about it.
A character like Baahubali required a preparation that I had to undergo mentally and physically - from undertaking a strict routine and a lifestyle, which helped me become the character physically, to knowing the character's depth and a lot more.
I think the fact that Rajamouli sir wrote the character of 'Baahubali' for me has been the biggest compliment in itself.
You get films like 'Baahubali' once in your life. And Amrendra Bahubali is a character that I can never forget.
Oh, my gosh! Can you imagine learning boxing from Sylvester Stallone's character? I would die!
I love to create looks. It's just like you're a different character every day.
I always prefer to write songs about emotional situations and heartbreak because I like getting into the character.
I would rather be adorned by beauty of character than jewels. Jewels are the gift of fortune, while character comes from within.
In words are seen the state of mind and character and disposition of the speaker.
The leading character isn't always the most important or interesting character; when people think that the protagonist is the character portrayed, it's people who haven't read Shakespeare.
Well, usually when I finish one character, I'm looking for a role that's really different.
It's my only religion to work hard, and then I'm not under any pressure because I know I've done the work on the character.
When preparing a role, I work first on the body language and physical aspects of the performance; the psychological dimension comes naturally once I'm in character.
I always see myself as a character actor, but Remington Steele was me. I gave up on trying to be any character. I just put myself as me in this world of Remington Steele and the grand pretender.
I like dressing in all seasons. Every season has its own character and charm.
Well, I think that in every character there are little bits and pieces of yourself.
One day, I was taken into a room with 25 animators, all working on Sadness. They asked me a lot of questions, and they got something of the way I move into the character.
I'm not accomplished enough to over-analyze something, because I don't have the background as far as people who write and know how to break down a character or story and stuff. I mostly go by gut instincts.
For me, I want to find the truth in the word and the character and the line.
You have to understand that when you're a voice actor on an animated film, you're really just a tiny little piece of this huge process. And when you finally get to see the finished product and see all of the wonderful work that the animators & the designers & the writers did to make your character stand out, it's just so touching, so humbling.
The thing you do is escape from them by immersing myself in the character you're playing.
I suppose the cult of the strong woman character on TV has probably been misinterpreted in so many different ways, meaning that a woman can't be emotionally complicated or want things or can't be weak in moments.
When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
I don't think the challenge is asking an audience to like a character; it's inviting them to try and understand them... then making that journey entertaining and worth their while. It's a classic trick, but it's human, and it allows characters to have more depth.
Onstage, there's a separation between character and audience; onscreen, you can go to a deeper place.
Character may be manifested in the great moments, but it is made in the small ones.
The student develops an analytical as well as finely blended character. He is able to choose from a wide variety of job fields from which to embrace a career, without having to be a specialist in one particular discipline.
A lot of crime writing suffers from treading water. I feel an obligation to move the character on and not repeat myself. I try to fit him into a different period and a different agenda. That way, you learn slightly more about his personal history in the tradition of the unreliable narrator. It makes it more challenging to write.
There's something weird about the Scots. We are a troubled, slightly tortured race - the sense of the respectable outward character and, inside, the turmoil of something darker.
'Blasto' is a new game for Sony Playstation. It's an awesome three-dimensional game, and I play the character Blasto who's sort of a Flash Gordon barrel-chested superhero who goes to Uranus and shoots these little green alien Fascist guys. He rescues babes; he goes on wild rides.
My only requirement for that first story was that there had to be a fight or an explosion on every page. Naturally, no one wanted to publish it, but I liked the character, did a few stories to keep my hand in.
There have been discussions of doing 'The Demon Cycle' on both large and small screen scale, and while there is no project currently in development, I think the series has both the big imagery and complex character development to have legs either as a TV series or film franchise.
The rhetoric is the key to the character. It's the verbal music of the piece.
Both my father and I remodeled our homes but were quite careful about preserving the history and unique character of the community.
Obviously, any time you're closer in terms of what your knowledge is to a character, you can add something. But an actor's job is not to play only people he can identify with.
I always think change is important in a character. The most dynamic choices that you can make for a character are always the best ones.
I understand in the context of acting, it allows me to manifest character, but I am no wiser then the next person that is living up a life, that is acting and reacting to the built-up circumstances around them.
I realise that certain actors project their own image onto the screen - those who are the same on as they are off. But I've never had the necessary statistics to be able to do that sort of thing, and so, anyway, I always wanted to be a character actor.
When I am searching for a character, I leave myself open, as does a medium. And I think that sometimes you can be inhabited by the spirit of someone who lived at some time or who was a bit like the person you are doing. And maybe they come in and use you as a chance to relive again.
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