Chang Rae Lee Quotes

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A novel, even a social realist one, can't simply be a comprehensive rendering of what is. A novel requires a special angle or approach, whether in structure or language or theme, to justify itself.

One of the ready advantages of writing a road or quest story is that it mirrors the experience of writing a novel.

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For me, that's always been one of the great charms of the first person: we gain access to a very personal, private kind of music.

It's hard to write a war story without thinking about the 'Iliad.' Because the 'Iliad' knows everything about war.

Part of writing a novel is being willing to leap into the blackness. You have very little idea, really, of what's going to happen. You have a broad sense, maybe, but it's this rash leap.

Even though I went to Exeter and Yale, and I enjoyed all the trappings of those places, I think at the same time - and maybe it's because I'm an immigrant kid and not white - there was always this...

I remember when I was in art classes, I hated following the assignments. And I would get in trouble for doing something totally different or taking it in a weird direction.

My parents - my mother, particularly - were very focused on our succeeding. I loved my parents, and was very grateful to them for everything, and I didn't want to disappoint them.

I think my parents recognised that I'd always wanted to be a writer, and so they didn't think that this was some idle, faddish wish on my part.

We arrived the way most emigrant families did. My father came first, and the rest of us - my mother, my sister and me - followed a year later.

I didn't leave Wall Street because the work was against my nature - I do have a pretty good head for numbers. I left because I had this love for writing.

I'm interested in people who find themselves in places, either of their choosing or not, and who are forced to decide how best to live there. That feeling of both citizenship and exile, of always being an expatriate - with...

I'll read pretty much anywhere and anytime, but for a while now, I've really enjoyed reading on flights, especially the longer hauls, when I'm unplugged from everything and can completely immerse myself in the world of a book and submit...

I suppose people might consider me a 'loose' reader, as I seem willing to read anything of quality thinking and prose.

In my teaching, I try to expose my students to the widest range of aesthetic possibilities, so I'll offer them stories from Anton Chekhov to Denis Johnson, from Flannery O'Connor to A.M. Homes, and perhaps investigating all that strange variation...

Like most people, I'm fascinated by characters who are completely flawed personalities, riven by anguish and doubt, and are psychologically suspect.

I can put together a pretty decent meal from whatever happens to be in the refrigerator and the pantry. I like the challenge of this sort of improvisation, the rigor of limitation and sometimes having to take a risk.

Unlike F. Scott Fitzgerald and Tom Wolfe, I don't like proper dress while working. I like writing in pajama-like clothing, which eases and relaxes me and allows me to connect with the decidedly improper.

No place is perfect, but I admire Oahu for its offering of the tropical and the urban, and then its Asian-inflected culture and cuisines.

I wanted to write about the Korean War, but I had no entry into it that made the kind of sense it needs to make for a novelist.

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