Catherine Hardwicke Quotes

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Starting with 'Thirteen,' my known technique is to cast the lead, then find someone with whom they have incredible chemistry.

I try to learn on each project, try to really feel what the characters are feeling.

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I don't like to watch a movie where it's just kind of like all one note, dee-dee-dee-dee. I want spikes of adrenaline and highs and lows and exciting tension release.

Obviously, 'Twilight' had its own alchemy that was amazing, just phenomenal. Nobody thought it was going to make any money. Paramount wouldn't make the movie. Fox wouldn't make it. Nobody wanted to do it.

Every filmmaker's just going to keep trying to make it the best you can make it: make it as potent and interesting and entertaining and exciting and tough and sexy as you can.

I think at any age, you can stay open and creative and excited.

For a film, when you condense, you don't want to keep going back to the same setting over and over.

I respect all the teenagers I work with and feel that everything they have to say is just as valuable as anything I have to say.

We can learn from everybody.

I hope I haven't grown up. The cliche for all artists is that you don't want to lose that child inside. I think when you get sedentary and set in your ways, you can lose a lot of that spontaneity...

I'll literally pay three Hollywood readers who don't know me to read my scripts under the radar and give cold comments. And at the early screenings of my movies, I'll hand out questionnaires that can be filled out anonymously so...

There are some moments where you're so depressed, you cannot see the way, and you're like, 'Whatever. Bite me.' I think all directors feel that way sometimes.

You don't watch 'A Beautiful Mind' and say, 'This is how every mathematician is.'

So many images are saying to girls, 'Show a lot of skin and look gorgeous and sexy.'

Kids have to experiment a little or figure out where they belong.

I've worked on really big budget movies as a designer - 'Vanilla Sky,' 'Three Kings;' I've been in that world, and you can just see people get nervous.

I've had meetings where there were literally, like, 12 angry men in a room and me. And even when everyone shot me down, I somehow dug in one more time.

Being in construction my whole life - I was trained as an architect - I always had to work with guys. And I always did my homework and then challenged them to figure it out faster than me. They don't...

The boys in junior high get really lewd and say outrageous stuff to the girls. If somebody yelled the stuff at me that I've heard at junior high schools I've visited, I'd be scared and humiliated.

The script for 'Thirteen' is tight, and not because of the now-famous six day writing spree, but more because it started out as 15 pages longer.

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