Cary Fukunaga Quotes

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I don't storyboard, and I don't really shot list. I let the shots be determined by how the actors and I figure out the blocking in a scene, and then from there, we cover it.

Sundance took me on my first film and from there sort of launched my career.

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I have no idea what it would be like to be just one thing and speak one language. I feel enormously privileged to travel and be able to mingle and speak to people that, had I only known English, I...

My mom loved the old black-and-white films.

It's rare that you can promote a love story and feel fear in a film.

I was imagining films in my head and trying to gather friends together to make movies since I was a kid. I tried to do comedy skits and a horror film.

I wrote my first script, which was 50 pages, at age 15. It was about two brothers in love with the same nurse while they're convalescing in a Civil War hospital.

You work with the communities to make films. And you just don't go in and take over their territory.

Writing, for me, is an inherent part of understanding the material on a deeper level.

I love period pieces. But it's hard to get money to make costumed dramas, so we'll see.

I live in Brooklyn, New York, and hail from the 'East Bay,' Oakland, CA.

To be straight, I was kind of a dork, and in order to fulfill the creative fires burning inside me, I participated vigorously as a Civil War re-enactor through most of my teenage years, traveling across the country to participate...

When I was 20, I was living in the Alps, snowboarding and studying political science. I blew out my knee, and I began to realize my days in the sport were numbered; the reality was I would never be a...

'Victoria Para Chino,' my 2nd-year film at NYU, gave birth to 'Sin Nombre.'

Some directors don't get involved in the cinematography and are just about story, but I'm definitely more tactile than that in terms of my involvement in the minutiae.

I enjoy setting the scene and coming up with interesting frames. 'True Detective' was a very hands-on set.

I wanted to make my sophomore film as different as possible. I didn't want to be pigeonholed. I didn't want to be identifiable.

It's easy to make something avant garde. To do something in the traditional way is much more brave in the sense that you're - your technique is so much more exposed because there's not all this flashy stuff to distract...

Every single substitute teacher growing up could not pronounce my name, so whenever someone pauses, I'm like, 'Oh, that's me.'

I don't really put trophies out. I don't keep trophies around my apartment.

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