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'Mad Men' doesn't capture one single thing about the decor, costumes, or sexual interaction. It is a total projection of contemporary snarky attitudes into the past.

I remember turning 'The Sopranos' on once and within two minutes nearly throwing a brick through the screen.

I regard affirmative action as pernicious - a system that had wonderful ideals when it started but was almost immediately abused for the benefit of white middle-class women.

Leftism should be about the people. That's how it began.

I consider myself not a conservative libertarian but a radical '60s libertarian.

I believe that government should confine itself to the public realm and that it should be as stripped down as possible, within reason. It should not be burdened by excess bureaucracy.

Back in the 1960s, I got a superb education for very little money. The bill for my first year at Harpur College in New York was a few hundred dollars.

I've always felt that the obligation of teachers is to have a huge, broad overview and to provide a foundation course to the students. The long view of history is absolutely crucial.

I was the first to advocate the Web. But I am very troubled by this thing that every kid must have a laptop computer. The kids are totally in the computer age. There's a whole new brain operation that's being moulded by the computer.

I love the Web, but the basis of my work is going through the physical books. When you go to the library, you see other books around on the shelves that you never knew existed. You can flip through a book and see the whole outline of it.

As a longtime fan of talk radio, I'm very worried about the low opinion that conservative hosts and callers have of the American artist. Art is portrayed as a scam, a rip-off and snow job pushed by snobbish elites.

Uncritical American boosterism - automatic endorsement of every government action - is myopic and self-defeating.

I'm very pro-American - my entire family escaped poverty in Italy because they rightly believed in the American dream.

I'm worried about the future of America insofar as our academically most promising students are being funneled through the cookie-cutter Ivy League and other elite schools and emerging with this callow anti-American, anti-military cast to their thinking.

It is not true that I oppose government funding of the arts.

No genuinely avant-garde artist should ever be on the government dole.

Ever since Romanticism, an oppositional mode, artists have the right, and indeed the duty, to attack social convention. But it is ridiculous and in fact self-infantilizing for them to expect to be financially supported by the general public whom they are insulting.

I want to promote the introduction of art history in primary schools and to convince the general public that, even in a period of economic crisis, arts funding is an absolute necessity at the federal, state, and local levels.

I have a long view of history - my orientation is archaeological because I'm always thinking in terms of ancient Greece and Rome, ancient Persia and Egypt.

Christianity began as a religion of the poor and dispossessed - farmers, fishermen, Bedouin shepherds. There's a great lure to that kind of simplicity and rigor - the discipline, the call to action.

I've been a longtime admirer of Condoleezza Rice, because I like her articulateness and style - her toughness and rigor.

I believe that every person, male and female, needs to be in a protective mode at all times of alertness to potential danger. The world is full of potential attacks, potential disasters.

Primary-school education is a crock, basically. It's oppressive to anyone with physical energy, especially guys.

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