Brian Reitzell Quotes

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My dad had a candy-apple red sparkle drag boat with a giant hemi engine in it that he raced professionally. The sound of that engine was the most incredible sound ever.

I only want to make enough money to make more music.

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'Loveless' was a really big record for me. It was what was keeping me alive when I was still touring with Redd Kross.

I know this as a musician: When you nail something, and you get so much attention for it, you want to strip that away and prove, mostly for yourself, that you don't need that.

I love futurist music.

I think that this television medium, or whatever we call it now, is a really great frontier to turn people onto music - to new music or old music. It's a great platform where you've got people's ears, and you...

The thing about me is that I'm a total music freak.

I work on everything, whether it's a film or TV show - I wouldn't even consider 'American Gods' a TV show. I don't even know what it is.

NBC has not once given me a music note. I get the freedom to do what I want, and that's kind of amazing.

'Lost in Translation' was a year of my life, if not more, and then 'Marie Antoinette' was about three years of my life.

I always liked the stress, the real high-stakes, get-the-orders-out line-cook job, as well as the ordering of the produce and everything - it's really similar to making music for a show like 'Hannibal.' It's like cooking; it's just like owning...

I try every day to do something that I've never done before or make some sound that I've never made before.

I've put a lot of records out and a lot of soundtracks, and 'Hannibal' is kind of a special one.

With 'Hannibal,' it's like reactive scoring so I don't get ahead. I don't read a script; I don't want to know what's going to happen until its happening in front of me and I'm able to have an instrument in...

With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it...

I think for a horror experience to be really scary, something has to be a bit of a shock and a surprise. It's like something you've never experienced before.

There's nothing worse than being stuck with a bad song.

Music as a business is a dirty thing.

I really don't like the way most movies and TV shows are supervised - I hate when there's someone singing over dialogue, songs just thrown in there.

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