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I grew up with 'best-of' cassettes. My first Smiths record was 'Hatful Of Hollow,' and I had hits albums by Elton John and The Cars.

I live a normal life. But I'm always thinking about what I'm going to do next, musically. 'Do I need a fresh producer? What was Peter Gabriel doing when he was 32?'

I have the same thing every day. I find it comforting. I have a banana, but I can never eat the whole banana. And I'll drink a couple of Actimels. And some kind of cereal with almond milk. And then after that, I have a Coke.

I think people become reliant on coffee. And that can't necessarily be a good thing.

'Human' was controversial within The Killers way before it was controversial to the rest of the world! It caused some problems within the band. Not to throw anybody under the bus, but it was pretty much me and Dave against Mark and Ronnie for a little while. We were standing up for the song.

I'm definitely gonna do another solo record at some point. 'Flamingo' wasn't just me dipping my toes in the water. I really loved it. It was successful, and that helps, but I love those songs, and I miss singing them.

Bands that say they don't care about how their records sell are liars.

At home, I'm not a rock star. I wear dad-appropriate attire. I drive a truck. And we go out to the mountains to light fires and have barbecues. Even then, The Killers are usually in the back of my mind.

I understand what songs like 'Mr Brightside' mean to people. They will last forever.

You can't save the world with music. But I can try. I have the same job as Bruce Springsteen. I have to go as far as I can with it.

You can't compete with hip-hop. That doesn't mean I don't want to be as big as a rap star. I do - I'm always competitive. But there's this weird perception of me as someone who's sitting around plotting like a devil. It's not like that.

'Hot Fuss' was all based on fantasy. The English influences, the makeup - they were what I imagined rock was. I'm a dreamer, you know? So I dug into that dream and made 'Hot Fuss.' But hearing people call us 'the best British band from America' made me wonder about my family and who I was.

I think of talent as being God-given. I know that contradicts what a lot of people believe, but that's how I see it. I think the Beatles were meant to be, you know? So when I listen to Paul McCartney, I think, 'Here's the person that God gave the gift of allowing him to write 'Let It Be.'

Something happened in the nineties. There was a shift. I don't want to blame it on grunge or the rise of indie - but that was basically it. It was seen as dirty and kind of ignorant to have these ambitions, to want to be a big band.

For the most part, the first thing people I meet that aren't Mormon say is, 'I grew up with a Mormon family. They're the nicest people I know.' So when I see these statistics that it's the most hated religion, I don't know where they're getting that from.

The feathers have been retired to the London Hard Rock Cafe. I don't obsess about it as much. Also, it's strange - the better physical shape I get in, the less I care about what suit I'm covering myself up in. I'm not really out to flaunt it, but I'm just more comfortable in my own skin.

I was raised in the church, and there's still a fire burning inside me. I definitely don't ever want to be preachy. But less and less young people are religious. The thing is, I see so many positive things about religion, so I'm happy to talk about it.

U2 have a lot of religion, also people like Johnny Cash and Elvis. Those people weren't shy about it - it's nice there are people who've come before that were open about it.

I've definitely got a lot more cautious about my lyrics - I feel I want to be a positive force in the world, and I want to uplift people. That's something that comes with age.

I've struggled with an identity sometimes; I don't know what exactly I am. I love so many types of music, and I don't want to commit to going down one road.

I'm raising my family in The Church, and I'm proud of that.

The mustache - I was never happy with the fullness of it. I was a bit too young. Maybe I'll bring it back in my mid-thirties.

Actually, I was born in Las Vegas. My parents moved to Utah when I was eight because, after 40 years in Vegas, they were tired of it. We ended up in Nephi, a really small town in Utah.

My dad was a produce man. He worked in grocery stores for 35 years. My mom just babysat kids and raised us. I have four sisters and one brother. I'm the baby.

Basic religion is the reason we have morals.

My dad is a big dreamer, so I got that from him. Golf was my main thing when I was a teenager, and that's what I wanted to do.

The thing that's really kept me on my toes is how my mom would always tell me - it's not the best thing for a mother to tell you - but she'd never tell me after I'd lose a soccer game, 'You'll do better next time.' She'd always say, 'There's always somebody better.'

I romanticize. I live with the ghosts of Elvis and Frank Sinatra. It seems so glamorous. They were American men who don't exist anymore. But there are ugly things about them, too.

I went to high school with girls that would daydream about what strip club they wanted to work at. That's one of the sad things about Vegas.

There's always an excitement around the Strip whenever something new being built. It was always the biggest and the best hotel or, you know, over-the-top things. And so, family would be coming in from out of town, and it was such a thrill to be showing them this, you know, erupting new volcano or whatever it was.

In a sense, all Americans are battle-born. Our ancestors came here for something better.

I was so young when the Killers started. I was 21. I'm proud of those songs, but there's no way I would write 'Somebody Told Me,' as I get older. Especially after having kids.

As I've gotten older, I've wanted to represent Las Vegas more. Represent the Southwest. It's a magical place. The desert. I do understand people's criticisms, but it's a magical place and a beautiful city, even though there are a lot of things that are wrong with it.

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