Bob Odenkirk Quotes

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I can't really say how big the cult is. But I'm proud of it. I'm proud that it has a life.

David and I got cut out the editing process on that. We were able to affect it more than not. We sent in our notes, we were able to see cuts. We weren't allowed to see dailies and we weren't allowed to sit in the editing room and just work.

I think that cable TV is a great venue to do something interesting.

I actually think there's a potential, a crazy potential, that network TV could become something valuable and worthwhile, just because of fear on the part of the networks.

I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it's become very corporate, the independent scene.

I'm about to go to Sundance for my 3rd year, and Sundance has never felt like a real independent festival at all. On the other hand, it might to start feel that way.

It's nice that the independent scene is taken seriously, and has been.

The alternative scene, for a couple years now, has been taken seriously and that's a cool thing. I don't think it's exploded or anything, but I think it's pretty cool that it still exists, it's still affecting people.

When I go to M Bar there's all kinds of agents there, looking for people who doing good stuff.

It is so weird to be on this side of that, because when you're starting out, and it seems like you're starting out for so long, you look up to the people who have made their mark. And you sort of want to be that.

In America, we can reinvent ourselves - we're encouraged to.

I did often wonder how relatable of a story it was when we started 'Better Call Saul.' It's such a unique character with a unique journey. But the universal drive of trying to earn respect from the people you love and not being able to do that is a common struggle for a lot of people.

I love writing comedy and being a part of it, but as a visual, physical presence in a story, I probably am more impactful in drama. It's not really a tribute to my dexterity and wide-ranging talent so much as it is a person finally getting to where they should've been from the start.

There's timing in drama. You have to have a sense of rhythm. But the real thing that lends yourself to drama as opposed to comedy is a sense from the audience of whether there's more to it than you can see.

I remember making 'Mr. Show,' thinking, 'Man this stuff is really funny to me.' I don't know if anyone else will love it, but I know I'm going to still watch it in 15 years if I'm still alive and laugh really hard. Even though we had very high standards, we were trying to excite and please ourselves.

You make you work for yourself. It's the feeling of, 'If nobody ever saw it, that'd be fine, too.'

I went to New York in '87 to write for 'Saturday Night Live.'

I pretty much live about 10 minutes from my office. I have two kids, and I have about 8 projects that I'm working on, so I basically just get up and go to work, and go home every night and play with my kids, so I don't really know.

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