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Billy Collins Quotes

Most Famous Billy Collins Quotes of All Time!

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I just reached the point where plot-driven novels don't hold my interest because I don't care about the fate of characters anymore - whether Emily marries Tom or not, that kind of thing.

Discovering Samuel Beckett in college was a big deal for me. I realized you could be very funny and very dark at the same time.

Very few people have actually read Freud, but everyone seems prepared to talk about him in that Woody Allen way. To read Freud is not as much fun.

When I became poet laureate, I was in a slightly uncomfortable position because I think a lot of poetry isn't worth reading.

I'm an only child, and I can take all the attention you manage to pile on me.

For most Americans, poetry plays no role in their everyday lives. But also for most Americans, contemporary painting or jazz or sculpture play no role either. I'm not saying poetry is singled out as a special thing to ignore.

People think of poetry as a school subject... Poetry is very frustrating to students because they don't have a taste for ambiguity, for one thing. That gives them a poetry hangover.

My persona is less miserable than a lot of contemporary poetry speakers are.

When you put a poem on a Kindle, the lines are broken in order to fit on the screen. And so instead of being the poet's decision, it becomes the device's decision.

To a poet, it's quite ruinous to have a poem distorted, out of shape, or squeezed, shall we say, into this tiny screen. But I'm not sure big digital companies are sensitive to the needs of poets.

I'm all for poetry catching up with technology, and just as there are iTunes, I think we should have iPoems. I mean, people should be able to walk around with their earbuds in and listening to poems on their iPod.

Poems are perfect for something to listen to while you're walking around because they don't take very long.

I learned snails don't have ears. They live in silence. They go slowly. Slowly, slowly in silence.

I find a lot of poetry very disappointing, but I do have poets that I go back to. One book of poetry that I'd like to mention is 'The Exchange' by Sophie Cabot Black. Her poems are difficult without being...

I'm easily frightened, and I've also come to realize that old Catholic guilt or remorse is easily stimulated.

I did try to write stories in college because I was interested in writing, and I was interested in the sound of language, but I was just no good at narrative and at fiction.

When I discovered the lyric poem, that advanced not by narrative steps but by blocks and layers of imagery, I said, 'Gee, I probably could do that. So let me try that.'

In the long revolt against inherited forms that has by now become the narrative of 20th-century poetry in English, no poet was more flamboyant or more recognizable in his iconoclasm than Cummings.

Some honor Cummings as the granddaddy of all American innovators in poetry and ascribe to him a diverse progeny that includes virtually any poet who considers the page a field and allows silence to be part of poetry's expressiveness.

Cummings' career as a writer - and a painter - was as wobbly as his love life. He tried his hand at playwriting, satirical essays, and even a dance scenario for Lincoln Kirsten.

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