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Bennett Miller Quotes

Most Famous Bennett Miller Quotes of All Time!

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I am attracted to anything that does not feel derivative.

I am a tumbleweed. I don't have a company. I don't have a staff. I don't own anything - I've never owned a car or an apartment.

You can write ten versions of a scene, and then, on the day, discover that something in the original scene worked. It's hard on writers. Hard on actors, hard on editors, hard on me, hard on the producers, who require...

I have a tremendous amount of patience and tolerance when working with people, but if I ever feel the impulse to inhibit myself from doing one more take, or feel a need to apologize to someone for pushing, I know...

I like going into a scene knowing that the script isn't quite finished, that there's something that isn't really going to reveal itself until something spontaneously occurs.

If you talk to anybody, among the first things you'll hear is, 'Steve Carell is the nicest guy in the world.' And he is. 'Steve Carell is the greatest guy to work with.' And he is. But all of that...

Before I find myself in the middle of a project, I want to make sure it is the kind of thing that keeps me excited for two years. Otherwise, it will be very difficult to push the proverbial rock up...

I think in terms of content and subjects and whatever kind of production it dictates. Can I conceive of an idea that would really connect with my personal rhythms and cost a lot of money? I don't gravitate in that...

It couldn't be more satisfying to work on something almost anonymously for years, then to have it received affectionately with support.

I don't want to sound too spiritual, but when you are true to yourself and follow through with things that connect with you meaningfully, somehow things fall into place.

People without fathers tend to have two predominant characteristics. They tend to believe anything is possible. At the same time there's an anxiety and an unending insecurity. It's a very American thing because back in the past, we lost our...

The version of 'Moneyball' I pitched - and we made - is about a guy, Billy Beane, who thinks he's trying to win baseball games. But it's deeper than that.

I definitely have moments in my life where I discovered a film, and the language of the film itself spoke to me in a way, as if someone came up to you and started speaking a language you'd never heard...

There's always something happening in pretty much every moment of every scene of everything I've ever worked on in longform that's not being expressed or acknowledged.

It's amazing how much you will forgive if the behavior is truthful.

I like to rehearse to the point we're in the ballpark, and expect that we're only going to get one proper take, more or less.

I think baseball represents something closer to our experience. There's no clock in baseball; it's not over until it's over. It's like life in that there are prolonged periods of boredom and monotony, punctuated by intense moments of excitement and...

Capote is one of those people who represents something larger than himself. I think that his ambition, his kind of success, and the downfall that followed are very contemporary.

Kubrick has a divining rod for the concealed, alienating secrets of characters.

The silence of a room when someone enters with a gun is very different from the sound that room makes when empty.

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