Ben Mendelsohn Quotes

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You can certainly extend your adolescence. There's people that are very good at extending it indefinitely.

I mean, there's a sense wherein you skip a part of childhood, too, when you start working at that age I did; I was out working and out of home at 15, paying my own way in the world.

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I think now there's much more of a confessional culture. That's not my bag. I come from a slightly older school of thought: 'give 'em nothin.' You don't plead guilty.

There's very little different between the way the government operates in America and the way criminals do.

As an outsider in America, you do see the kind of hypocrisy that's rampant there.

I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work...

At 15 I had moved out of my parents' place, and my options were looking pretty narrow. But I had this acting thing and I just wanted to be able to keep going because it was really good. That was...

Acting is a bit of a heart and soul exercise with me. It's kind of all I've got.

The people I've encountered who are really dangerous in my life don't go around with their fangs drawn - they are dangerous because of the way they interpret what's going on.

One of the things that I found very confronting in my early working life was that people thought I was some sensitive doe-eyed lovelorn boy, because they'd seen me do that a couple of times. What tends to happen is...

I've spent various periods of my career being thought of as various things, various degrees of substance and ideas.

I basically sat around unemployed in Sydney for three years straight, and the two things that saved me were the rugby league and my dog.

I remember 'The Yearling' was the first film I ever saw, and my mom told me I cried for about four or five days afterwards. I'd be going along during the day and suddenly start crying over what had happened...

I never felt like someone who was boyish and coming to terms with asking girls out or anything like that, which was what 'The Big Steal' and 'Spotswood' were about. But I guess that's the impression I left on people.

In a very real sense, all you do when you're shooting film or television is you shoot a scene, and then you shoot another scene, and then you shoot another scene.

Once upon a time, they thought I was a sweet, wide-eyed boy that was just trying to figure out how to kiss the girl. Lots of comic relief and adolescent yearnings.

Before 'Animal Kingdom,' I wasn't particularly thought of in villainous roles.

It's got a lot more room for nuance and an assumption that people have started from the beginning. 'Bloodline' ends up being like a really good novel.

The thing about home is that it's a tough place to sustain a career, just by dent of the size of the place. I had about as good a run there as anybody, but it's still a tough ask. I...

It's a tougher gig than what people think it is. The proper, real, genuine, worldwide movie stars don't get a lot of downtime from the world outside. That's a tougher price, I think, than what people's fantasy of fame account...

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