Beck Quotes

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As society changes, as politics change, as people change, certain songs still seem to resonate.

What Spotify pays me is not even enough to pay the musicians playing with me or the people working on the discs. It's not working. Something is going to have to give.

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I enjoy the collaboration. I always envied people in bands who got to have that interaction. I've done so many albums where I've been in the studio for 14 hours a day for six months just trying to come up...

Growing up, a film was an action film or it was a comedy or it was romantic, but you don't really see such stark lines between genres nowadays.

You can't meditate on walking or certain human habits. You concentrate too much on the way you walk, and you'll start walking pretty weird.

I think trying to be offbeat is the most boring thing possible.

Sometimes I'll have an idea for a story or have a subject, and that will inspire lyrics, but most of the time, hopefully, they already exist somewhere else.

In recording, you're trying to make something work sonically - getting the right inflection on the right guitar sound - and maybe a part that would be musically great doesn't sound as cool. On paper, though, it's all stripped back....

I've personally reached the point where the sound of MP3s are so uncompelling, because so much is lost in translation.

Being able to take musical ideas through every iteration is attractive to me. Granted, not everyone's going to want to listen to that, but it should exist.

Every band I knew or played with had flyers and properly-recorded demos and contacts; I couldn't even get a gig.

I have heard some stuff that might be influenced by my records, but it's usually pretty wacky and off-the-wall, which is kind of annoying, to be frank.

Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous...

I can't tell you how many things I've worked on where I sat on it for a few years, and then somebody else did something very similar. Whether it's some weird vocal effect you hear on another record, or a...

There's more things that I'd like to do. You know, each song is a little bit of a puzzle. I see most of them as just failed attempts.

I feel like I've spent the majority of my time touring and traveling, so if I reduced the actual time making music, it's probably four and a half years at the most.

Especially in music, you wonder, Okay, should I still be doing this? Like, are you overstaying your welcome at the party? But I don't know.

I didn't want to be on a major label. I wanted all the attention and the noise to go away because I wanted to be something a little bit more substantial.

When I was a kid and putting out my first records, there was a lot made out of the fact that the '50s/'60s generation was so dominant.

I came up in a time when Springsteen, the Stones, Dylan, and the Beatles were still dominant. For every magazine cover with a new band, there were five covers with one of those guys.

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