Barry Eisler Quotes

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I've loved thrillers and spy stories since I was a kid. It's probably not a bad rule of thumb to write the kinds of stories you love to read.

The Internet is a limitless library at your fingertips. It's a great place to start with the acquisition of knowledge. My process is to go to a place when I'm writing about it. Nothing captures the essence, feeling and flavor...

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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.

Publishing for me is a business, not an ideology.

Overall, one of the things that excites me most about self-publishing is that the highest-value use of my time in promoting the books will be found in writing more of them.

I want to position my books as premium-priced versions on the reasonably-priced scale, if that makes sense, to find a sweet spot between the high-end of what my brand can support and the low end that results in impulse purchases...

Publishing, legacy or indie, is a vehicle, and you can't opine about whether someone has chosen the right vehicle if you don't know where she intends to drive it.

I can understand the allure of a venerable Big Six imprint, of a shot at the New York Times list, of a publisher-sponsored book tour, of seeing your hardbacks in bookstores and your paperbacks in supermarkets.

I have a long-standing interest in what I like to think of as 'forbidden knowledge:' methods of unarmed killing, lock picking, breaking and entry, spy stuff, and other things that the government wants only a few select individuals to know.

I read pretty eclectically - fiction, non-fiction, and poetry - and I've been inspired and influenced by a number of writers.

Stephen King has inspired me with his humor and honesty, and his admonition that the author's job is to tell the truth.

There's an awful lot of corruption in Japanese business and politics, corruption of the sort that can make for great setting for a spy story.

I'm not sure why I'm so drawn to heroes who do bad things and to villains who think they're the good guys, but I do find that moral ambiguity and conflict makes for great characters.

If the reader cares, I don't think it matters so much whether your hero is in fact an anti-hero.

When I think of a story, somehow it just always seems to come out involving spooks and spies and government skullduggery.

From the outside, the CIA seems pretty exotic, but from the inside, it's a big, bureaucratic place. Think 'post office with spies.'

After I sold my screenplay adaptation of 'Rain Fall' to Sony Pictures, I had no more creative involvement.

Books are my art. The movie is someone else's art. But it's great marketing for books.

Action fiction is driven more by what than by who. Put that ticking nuclear suitcase under Manhattan, and it's relatively easy to create suspense. Literary fiction is driven more by who than by what.

Paper publishers are doing everything they can to slow the transition to eBooks because, in a digital world, paper publishers' high hardback margins essentially disappear.

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