Barbara Kruger Quotes

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Women's art, political art - those categorisations perpetuate a certain kind of marginality which I'm resistant to. But I absolutely define myself as a feminist.

If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.

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I think there are lots of ways to make good work. You can throw big bucks at a project and make what some would call crap, or you can work very modestly with eloquently moving results.

I'm living my life, not buying a lifestyle.

What makes the production of my work so expensive? The whole installation thing - the construction, the objects, the technology. It really adds up.

I don't necessarily think that installation is the only way to go. It's just a label for certain kinds of arrangements.

Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.

I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.

All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It's scary.

I just say I'm an artist who works with pictures and words.

Do you know why language manifests itself the way it does in my work? It's because I understand short attention spans.

I think there are different ways of being rigorous, and I am asking people to be as rigorous in their pleasure as in their criticism.

Direct address has been a consistent tactic in my work, regardless of the medium that I'm working in.

I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.

I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.

I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun.

I feel uncomfortable with the term public art, because I'm not sure what it means. If it means what I think it does, then I don't do it. I'm not crazy about categories.

I'm an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.

I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances.

You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.

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