Artist Quotes
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When I was, like, 12, I remember grabbing a mic, pretending it was a guitar, and performing in front of my friends. I didn't know at the time I wanted to be an artist.
Someone who is an artist can say, 'I can create and can make what I create disappear.'
In America, we have the feeling of the doomed young artist. Fitzgerald was the great example of that.
The great thing about Ticketmaster is that it's seen as the comprehensive site for ticketing, artist information, venue information. We're a marketing platform, not just a technology platform, and we're going to build on it.
Where I come from, if you weren't a drag queen or a radical thinker or a performance artist of some kind, you were the weirdo.
I realize I have strength as an artist and professional by embracing my difference instead of what makes me the same.
The smallest wound or pain of the ego is examined under a microscope as if it were of eternal importance. The artist considers his isolation, his subjectivity, his individualism almost holy.
I think, basically, if you talk to anybody, you can gauge an idea of what it's like to feel deceived. You don't have to have run into a con artist to feel like you've been deceived by someone.
I should have been a much better artist if I could have studied more and amused myself less.
All you can do as an artist is just strive to make the best record you can and ride the rollercoaster as it goes up and down.
There are a lot of recurring themes that I resonated with when I read 'A Portrait of the Artist as a Young Man.'
I always wrote, you know, but it was just this thing I did; what I intended was to become a terribly famous artist, perhaps with a stopover as a singer.
Part of being an artist is being willing to be shocked, being willing to be surprised, being willing to be hurt.
In the case of, like, Childish Gambino, he is someone who is a writer by trade, so he is very meticulous about how he writes his ideas. I don't do this with a lot of artist, but he would give me a treatment that he wants to do, and I'll go off that; then I'll give him feedback and pitch him my ideas.
In 1996, after 29 years as an artist for Marvel Comics, I got fired - 56 years old, two children still in college, and no job.
I've always seen it as the role of an artist to drag his inside out, give the audience all you've got. Writers, actors, singers, all good artists do the same. It isn't supposed to be easy.
An artist is always alone - if he is an artist. No, what the artist needs is loneliness.
The worst sin that can be committed against the artist is to take him at his word, to see in his work a fulfillment instead of an horizon.
I decided on the spot that I would be an artist, and I assure you, it was no ordinary artist I had in mind.
The physical characteristics of the child Jesus will always remain a point of discussion. No artist has ever produced a type, nor ever will, that has in it all that the varying minds of all time will acknowledge as complete.
I'm a fighter now. I'm officially a mixed martial artist. I'm not a wrestler no more.
It is only after years of preparation that the young artist should touch color - not color used descriptively, that is, but as a means of personal expression.
An artist must never be a prisoner. Prisoner? An artist should never be a prisoner of himself, prisoner of style, prisoner of reputation, prisoner of success, etc.
An artist must possess Nature. He must identify himself with her rhythm, by efforts that will prepare the mastery which will later enable him to express himself in his own language.
Just as people can watch spellbound a circus artist tumbling through the air in a phosphorized costume, so they can listen to a preacher who uses the Word of God to draw attention to himself. But a sensational preacher stimulates the senses and leaves the spirit untouched. Instead of being the way to God, his 'being different' gets in the way.
Whether you are sixteen or over sixty, remember, understatement is the rule of a fine makeup artist.
I knew I wanted to be an artist at age 5 or 6. I always drew. At 8, I was permitted to study.
I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist.
I did a film called 'The Escape Artist' for Francis Coppola. I had the title role.
I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
Mr. Koons's work has always inspired architects, which I think is very interesting. I think he is an artist who has reinvented himself so many times and reinvented so many different series.
My job is art curator, not artist. All I have ever wanted to do is immerse myself in art, to enjoy it, to learn about it, to write about it, to talk to others about it.
At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It's a different story each time; it's about establishing a dialogue.
I grew up in adoration of writers like Hemingway, George Orwell, Anna Akhmatova, and that has always been my idea about the artist - that you have to be a brave and freedom-loving person.
Every art expression is rooted fundamentally in the personality and temperament of the artist.
Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world.
I think, by nature, human beings are curious. And I think that's only amplified as an artist.
My mom was an artist, and she had this amazing ability to transform everything into something beautiful.
My grandfather was not a musician but he was an artist - a painter, a decorative painter.
Bruno Mars. He is my favourite artist, and I always look forward to see him perform live.
If someone has given a hit in the industry, and everyone talks about the song and artist, that's a hit.
If a new artist comes, and he doesn't have a good record label to invest in him, then there is no point.
A lot of artists have a super-specific musical hero they definitely try to hone in on. I'm basically inspired by everyone. I don't have one particular artist who I'm super-obsessed with.
The expression of beauty is in direct ratio to the power of conception the artist has acquired.
The artist must be in his work as God is in creation, invisible and all-powerful; one must sense him everywhere but never see him.
If I could collaborate with any artist, I would want it to be like Marvin Gaye. Someone like who they wouldn't expect me to do a feature with, like, very iconic.
As an artist, what you do represents who you are. Coming from a genuine, honest place - that's what I'm trying to do.
'The Disaster Artist' book is the peak of my career in many ways, but there's something so rewarding about creating something from scratch.
James Franco, Seth Rogen, and Evan Goldberg are the ideal guys to adapt 'The Disaster Artist.'
My own personal geek culture years were when I was much younger. I collected comic books up until a certain age. I wanted to be a comic book artist when I was younger.
There is a sequence in my 'Detective Comics' run where you can't find consecutive issues by the same artist. That's intentional. That was done on purpose.
I try not to force my sound on everybody. I try to yield unto each artist and... I try to just support that sound rather than force a sound that might not fit.
Certain things you learn through exposure. It's really the elements which make up any artist. You really learn by example. You learn by influence. And some people have a huge impact on you, and that's how you become the artist you are.
Ever since I was a kid, I might have been eleven or twelve. I'd be telling anyone who would listen that when I grew up, I wanted to be an artist.
Being an artist, it's all a journey, and you learn where the subtle patterns lie.
The artist I would love to be is inspiring and strong: show that I can be vulnerable but still independent.
Imagine spending seven years at MIT and research laboratories, only to find out that you're a performance artist.
I'm an artist and an engineer, which is, increasingly, a more common kind of hybrid. But I still fall into this weird crack where people don't seem to understand me.
In my own case, I'm an artist, and I'm really interested in expanding the vocabulary of human action, and basically empowering people through interactivity. I want people to discover themselves as actors, as creative actors, by having interactive experiences.
Glorious bouquets and storms of applause are the trimmings which every artist naturally enjoys.
I have a private press. I'm a book artist. I publish books of other authors and artists. I do the illustrating. I set the type. I print it myself on my press. I do everything but bind it.
Sam Wood, the director, made most of his money as a real estate agent; there was nothing of the temperamental artist about him.
As an artist, you dream about accumulating enough successful music to someday do just one greatest-hits album, but to reach the point where you're releasing your second collection of hits is beyond belief.
Everything that an artist does is a risk. Some people want you to stay the same. If you want to evolve, they want to keep you in a certain place.
I think it would be nice to sell 15 million albums as a solo artist. I'd have to deal with all the repercussions of that, but that wouldn't be too bad.
To me, the ideal artist-to-audience relationship is a one-to-zero relationship. The artist should be granted anonymity.
In '89, I got a grant from the National Endowment for the Arts. That's when I started to get into group shows. Suddenly, I sort of 'came out' as an artist.
Michael Jackson is the greatest musical influence on me. He's my man. Musically, he is the one artist I want to be like.
A half dozen pictures would just about be enough for the life of an artist, for my life.
I can live in L.A. as a struggling artist. I cannot live in New York as a struggling artist.
Frankly, I get sick of being considered a 'young woman filmmaker' rather than an individual artist, as a man would be.
Every person has parallel tracks. You have your personal life or your life as an artist, or whatever it is you do.
I rebelled against the idea of the artist being what I call the 'after-dinner mint' of society. I didn't want them to be just the entertainers, but rather part of the community - the bread, not only the dessert.
The artist discards all theories, both his own and those of others. He forgets everything when he is in front of his canvas.
The conscience of an artist worthy of the name is like an incurable disease which causes him endless torment but occasionally fills him with silent joy.
Originality depends only on the character of the drawing and the vision peculiar to each artist.
I was a big fan of Jean-Claude Van-Damme growing up, and I always wanted to be a martial artist 'cause of him.
I'm a martial artist, and I don't train because I have a fight; I train because it's my lifestyle, and I'll train every day if I'm not hurt.
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