Andrew Lloyd Webber Quotes

Most Famous Andrew Lloyd Webber Quotes of All Time!

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I'm wondering whether to have someone go around with my mobile to completely throw everybody off the scent. I could appear in weird places.

I'm not a critic, and I never talk about other people's work.

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Sometimes I get the story wrong, or it's the wrong story, and then things don't work.

You can't just sort of come with, say, 'Yesterday,' or 'A Hard Day's Night,' and it be in the wrong place in the wrong show, and expect the song to work theatrically.

I don't really care very much if I don't think that the critics really understand music.

'School of Rock' is fun. Hopefully, I've fleshed it out with a few catchy songs and kept the spirit of the original movie.

If you just want ten songs to fit somebody else's script, then I'm not really the composer for that.

The one thing I have always felt about musical theatre is that it is, to an extraordinary degree, about construction.

Where I have come unstuck sometimes has mostly been to do with the stories not being quite right or not connecting with a contemporary audience.

Musical theatre history is littered with bad reviews for now classic pieces.

I'm a ladies' man who can never make love. I'm resigned to that.

I'm alive. I have my music; I have my children. I am the luckiest man.

At one point I couldn't move or get out of bed or anything. I developed blood clots because I'd been completely inactive. Then they thought - because the pain was so much - I had an infection in the bones,...

Making good television is what Simon Cowell does. That's his business.

The fact is that 'The Wizard Of Oz' has never really worked in the theatre. The film has one or two holes where, in the theatre, you need a song. For example, there's nothing for either of the two witches...

I never wanted to be a performer. I suppose I was precocious, really.

I loved medieval architecture when I was very small; I don't know why.

Disgracefully, the arts have too often borne the brunt of short-sighted cuts to educational budgets.

Together, we can nurture the talent of the future and bring the empowering force of music and the arts to a new generation.

Musicals are very collaborative. Unless you find somebody who wants to do something with you and has equal commitment, it's not going to work.

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