Always Quotes
Most Famous Always Quotes of All Time!
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Oh my goodness me, Daniel Day-Lewis - huge, huge fan of his. I've always loved his philosophy on acting: he always talks about returning to a state of play.
I've always really enjoyed sharing my work with others. I find it really hard if I don't think the work will exist outside of my own apartment.
It's always important for a coach to decide on the short term and long term - one factor doesn't block out the other.
I always pass on good advice. It is the only thing to do with it. It is never of any use to oneself.
When you are down and out something always turns up - and it is usually the noses of your friends.
Man is a rational animal who always loses his temper when called upon to act in accordance with the dictates of reason.
No data on air propellers was available, but we had always understood that it was not a difficult matter to secure an efficiency of 50% with marine propellers.
I always ask the question: As more Africans are going online, are they finding content that is meaningful and relevant to them, or are they just consuming from everywhere else. As Africans, we have the capacity to generate our own content.
I think a lot of Africans in my generation, and especially those of us who have spent time overseas before coming back, are quite comfortable moving between the two worlds, though always with a lens of, 'What can we do to help our countries or regions?'
The depiction of Africa has changed in the media in that it is not always poverty, disease, and so on.
I'm a very restless person. I'm always doing something. The creative process never stops.
The best thing about giving of ourselves is that what we get is always better than what we give. The reaction is greater than the action.
Temptations, unlike opportunities, will always give you many second chances.
I'm amazed that things have panned out the way they have. I always say I'm so lucky, though my mum always says, 'You make your own luck.'
Anytime you have a family member getting out of prison, there's always drama.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.
Most of my relationships have been like that - with record companies. I've never had a legitimate business relationship with a company. I've always had a personal relationship with someone in the company.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
I'm for helping the poor, always have been. And I don't think they should be bereft of healthcare.
As your Senator, I always fought the fight for those who could not fight for themselves, and I believe the results speak for themselves.
I was always screwing around with music, but I really wanted to go to film school when I was in high school. I guess what happened was that I didn't get into Tisch, that's what happened. I got deferred. And I went to Hampsire and ended up making music like everybody else there.
My friend and I were in a band together and we used to always refer it it as 'floor-core,' meaning that we would sit on the floor and play stuff.
The thing that I've always been a little bit jealous of is a complete, a total giving to one form, like a genre, and just a mastery of it. My thing is very different. It's a complete embrace of something, but I've never been able to say, 'I believe in this.' The only thing I believe in is that I'm in this perpetual state of disbelief.
I wasn't always totally interested solely in music as a sort of visceral expression of people in unison and synchronized, a federated expression of a group of people. I loved it as a wallflower, as a fan, but when I was in it, I always felt like I wasn't built for it.
I basically am always chasing this super enhanced stimulation from music.
O.P.N. has always been about reaching for some kind of liminal state in which opposing aesthetic forces become entangled and confused and equal.
Fortunately, the leadership of black immigrant communities has always been present in all black liberation movements from leaders like Marcus Garvey to Shirley Chisholm to Malcolm X and Harry Belafonte. We know this is our legacy.
I don't quite have the luxury of cherry-picking - I have to see what comes my way. But I have always been picky.
It's always about finding the right balance between answering some questions and raising new ones to keep your story going.
The opponents of this process have always tried to vilify westernization as a poor imitation.
Oscar Wilde always makes me smile - with respect and admiration. His short stories prove that it is possible to be both sarcastic, even cynical, but deeply compassionate. Just seeing the cover of one of Wilde's books in a bookshop makes me smile.
I have always looked on disobedience toward the oppressive as the only way to use the miracle of having been born.
Arafat contradicts himself every five minutes. He always plays the double-cross, lies even if you ask him what time it is.
My dad is actually an amazing guitarist, and he always had an incredible record collection, which is how I discovered things like Jimi Hendrix and Santana. I'll always be grateful for that.
I was inspired to play electric guitar from listening to a lot of Carlos Santana, Stevie Ray Vaughan, and B.B. King, and that's always been the kind of music that I gravitate toward.
Beats are really inspiring. They always make me want to write something over them.
I'm always amazed at how records can make you feel like somebody else understands you.
When I was young, a lot of things were closed off to me. I was always told, 'Don't do this, you can't do that' - instead of stopping me, it made me think, 'I can do that, I must do that.'
Creatively, I've always wanted to be different as it relates to my craft, and reggae, being a part of my culture, makes up a percentage of that uniqueness. The only definition I can think of to describe my style is 'OMI.'
I'm a big soccer fan, so any soccer player that I meet, I always get star struck. I've met a lot of big stars - Justin Timberlake, Michael Buble - and I don't ever get starstruck, but when I met famous ex-football players, I just got completely starstruck.
New Year's Eve was always a big occasion at home with the family. Every year we would get the karaoke machine out and I'd entertain everyone, even as a young kid.
Being a typical Briton, I love my home comforts and always try and find an English pub where I can tuck into some traditional English food, accompanied by a nice pint. Fortunately, I haven't been ill with food poisoning or anything like that, which is quite surprising considering how many different types of food I eat when I'm travelling.
I take my mobile phone and iPad wherever I go. I like to switch off when I'm on holiday, but I always check emails in case someone at home is trying to get hold of me.
QR codes have always been a kind of half-measure, a useful but inelegant transitional technology; the ultimate goal is augmented reality.
Apple has always been, and always will be, a hardware-first company. It produces beautiful devices with elegant designs and humane operating-system software.
India has always stood with Africa on the freedom struggle against colonial powers.
Probably the geekiest attribute that I have of them all is that I've always had a hard time meeting friends. Like no matter where I grew up and I moved around, I always had a hard time.
When I was starting out, I always wanted to be able to do everything - comedy and drama and action, and everything in between. Film is so diverse, and it's fun to be able to take advantage of all of it.
Any filmmaking, any film is a collaborative process. There's always a lot of people working on things together.
I didn't have an incredibly active social life as a teenager. I always wished it was a little bit more exciting than it was.
I was a tomboy and I didn't have a bunch of brothers but I always wanted them and so I sort of adopted a few of my great friends to be my brother.
When I first did theatre, I was always doing comedies; it was always my first love. But it wasn't what I was picked for at first, for films and TV.
My parents have always been cool. They even became surrogates to friends of mine who didn't have such supportive parents.
I couldn't get any of the ingenue roles when younger because at 5 feet 9 inches with a deep voice I was always too... genue. My career has completely happened since I was 29.
Second seasons are always better. In the first year, I felt a little bit of pressure. Maybe sometimes I didn't play naturally. I didn't feel relaxed on the pitch when I was ready to try something. It's complicated to explain.
All of my career, I have been - how can I say this? - I have been through certain difficulties, and I have always tried to make it motivation to get better and better.
I've always been lucky enough to have made the right decisions, if I can say that. I've always felt that I've had good fortune in that way.
It's nice to be cheered, but I'll always have a good attitude on the pitch.
When you write a script, you always think about what your heart is asking.
Personally, I am not so affected by my environment. What I build in the creative process is not necessarily connected to what I am physically in contact with. I am always observing everything, but it will not necessarily have a direct impact on what I do.
I always like to preserve my freedom. I've never really been attached to any place; that's probably why I kept moving. I like to evolve.
Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.
We always see the point of an iceberg. So I've always accepted the idea that people - they don't necessarily know everything I am.
I've been a vegan and a vegetarian for 15 years and I've always just quietly kept and values and my beliefs to myself. I didn't want to preach or be outspoken about all these things.
It was always my desire to strike new ground and help to lend weight where it was most required.
I was just an ordinary student. I'd always gotten along with authorities quite well.
The world is always ready to receive talent with open arms. Very often it does not know what to do with genius.
The man who is always worrying about whether or not his soul would be damned generally has a soul that isn't worth a damn.
A person is always startled when he hears himself seriously called an old man for the first time.
I always assumed I would leave drama school and do 'Lady Macbeth' and all sorts of serious things. It just didn't happen.
This may sound mad, but you sort of assume that no one's going to watch what you do. You go on set, have a lovely time, and then you forget anyone's going to see it. So it's always a bit of a shock to be recognized. I get terribly embarrassed.
I was always pretty ambitious, although it probably helps that I can't do anything else - apart from cleaning lavatories. But I remember my mum once said, 'I suppose you'll give it a year and see if you can make it as an actress?' And I said, 'No Mum, I think I'll give it 10.'
I suppose I have played a lot of put-upon women, but it's never bothered me. They've never been weak - they've always got steel in them.
I've always wanted to play a Marvel baddie. I'm not sure I fit the mold, though. Like a powerful, extraordinary woman. Somebody with superpowers would be really fun, but I'm not sure how many middle-aged women they have in Marvel.
I started off in comedy, but that's just where I got my work. I've always been an actor.
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