Always Quotes
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It was a very big decision when I decided to leave B. Tech to come to Mumbai. But they were always supportive. At one point, I felt I shouldn't do it. My mother encouraged me then.
I was always into sports, and as a sportsperson, you need to be fit to survive and play from start to finish.
I'm not always in a full face of make-up! That's actually one of the things I like about make-up - that you can strip it away and show your vulnerability.
I was always intrigued by the idea of bringing things together that are considered taboo or risque and bringing them together with something of high elegance and sophistication.
When I had jobs, I was always doing manual jobs because I couldn't think. I worked at the docks, unloading trucks, and did ridiculous jobs.
Whether I'm writing the script, or someone else writes the initial draft, I'm always an actor's director first. I always try to listen to them a lot and try to put their voices into their character.
I've always wanted to explore different types of roles and prove to others that Divyanka is not all about being a timid dulhan.
There are groups of haters who always try to malign my image. They question my character and make all kinds of false announcements. It hurts because they assume things and without any proof in hand.
With my first two husbands, I always kinda sensed they thought there was something wrong with me. Maybe I was too flighty or whatever.
I don't think I was ever really a normal kid. I always wanted to do it big, and so I was always on the lookout for strong people I could learn from.
I always try to teach by example and not force my ideas on a young musician. One of the reasons we're here is to be a part of this process of exchange.
I've always been a fan of the VMAs, and I've always worked hard just to get a ticket to go to the VMAs.
Jay Z and Biggie and Nas always listened to my direction. They listened and they applied it and I also listened to their opinions and that's why the records came out so good.
I've been sequencing all of my albums, from any Gang Starr stuff to Jeru to Group Home, all of it. I pay a lot of attention to that and really always have. I've even helped sequence friend's projects.
I've always cared about how certain songs fade into other ones and which songs should follow others. I studied that as a consumer and fan before I even got into music.
Guru had such a different voice from most people. Plus he had a Boston accent! So, I always made sure the beats were tailored to him.
I would always have turntable elements in my records even if it was just one scratch.
I always followed my heart and if my heart said I gotta pack up and go, I'm gone.
I don't have session players come in and guitars, I'm doing the drums, I'm doing the scratching, I'm doing every sound you hear and that's always been my way. And not only that, I'm very meticulous about it just sounding right.
Guru always titled the Gang Starr albums. But once it came to 'Hard to Earn,' he wanted me to title it.
I have always listened to Indian music online, much before my first visit to the country in 2015. But, when I got to India, I couldn't get enough of it.
I'm not really a country singer, although I did make a couple albums and love its simple, straight-from-the-heart approach, but I have always sung a lot of jazz, show tunes, pop tunes, gospel and blues.
Peoria is such a seemingly quintessential American city, and I had always wanted to draw on that in either my fiction or in nonfiction. The Midwest is also a landscape that I have always been infatuated with, perhaps because it's the first one I can truly remember.
The fact that I have always been deeply invested in politics, and African politics in particular, inevitably played a role in my first novel and, of course, in my decision to write about a handful of particular conflicts in Africa as a journalist.
'The Duino Elegies' are notoriously cryptic, and part of the reason why I have always loved them is because they invite multiple readings over the course of a lifetime.
Once I began college, I was committed to writing, which I think is different from saying I wanted to become a writer. I knew I would always write; I just wasn't always sure how I would go about doing so.
Playing at different positions is a challenge, and I've always believed that I can play in any situation and at any number in the batting order.
Mindset is important, I should always think about finishing games from any position.
I have always believed in my batting abilities. I have always put my hand up as a pure batsman and have enjoyed fielding as well. My ultimate aim is to play all formats as a batsman. I have done it before.
I have always enjoyed playing as a batsman. In the T20 format, I have been asked to play at six or seven. I have finished a few innings batting first and a few chasing. It feels good and it feels like yes I can do it.
I was known for being quite... ruthless at ABB. I drove hard targets, pushed my people. But I was always fair. Once I was convinced of someone, I let them handle things themselves. But if you kept doing badly, there was no place for you.
Some people only talk, while some only work. Sardar Patel was one such leader, who always worked without talking.
Those who have virtue always in their mouths, and neglect it in practice, are like a harp, which emits a sound pleasing to others, while itself is insensible of the music.
I never got into this business to do interviews. It was always about the music.
I think one of the reasons I've been successful is that I can see things before other people do. I've always been able to do it.
I have never seen myself as a promoter. I always evaluate myself as a manager.
My parents have always been very concerned of making sure we know who we are and where we come from. I have to give them credit for that. Knowing your roots is quite important.
The local dudes who knew that my dad owned a studio would say, 'Ahh, dude is spoiled,' and this and that. But we didn't abuse it at all. I'd always ask if we could use the studio first, and if our dad didn't want us there he would tell us, and that was that. But I definitely tried to get down there as often as I could.
The harder stuff has always done it for me. Man, if it rips, I'll give it a thumbs up!
I try to do things in one take, but doubling rhythm parts is always difficult, especially if you want things to cut the way I want them to cut.
If you wanna get out of a rut bad enough, it'll always happen. It's up to you, though. No one else is ever gonna do it for you.
My whammy system is set up so I can yank the bar up as well as do dive-bombs with it. This means that if I accidentally push down on the bridge with my palm, my strings go sharp and sound out of tune. I make sure this never happens by never resting my hand on the bridge when muting. I always do my muting just in front of the bridge.
I don't blame Le Havre. Back then, I wasn't an easy person to handle. I was always one of the first to mess around. So there were a lot of reasons why my adventure stopped at that point.
People who know me know that I am very clumsy, always fumbling, and I talk rubbish most of the times.
Our family was always together. Whenever Kakaji needed something or wanted to discuss some issue, he would always bring it up with us. Certain things happened that brought us closer.
People always want to learn how to booty pop like Fifth Harmony, so that's our signature.
I wanted to represent for Polynesians, and that was always my goal, because not everyone knows about us, and I just want to represent for them.
For me, it's Rihanna and Kim Kardashian who I always keep up with. They both have incredible style.
What I want to advice our fans, not only in the Philippines but anywhere in the world, is to always give your all in anything that you do.
Nowadays, so many girls are really harsh online and always bringing each other down, so one of the things we try to do is help bring them back together.
Fifth Harmony is definitely our first love... it's always been the foundation of everything.
There are managers who always say what people want to hear. I think that's not good.
I have always seen Drogba as the example to follow in terms of a centre-forward. He was strong and scored loads of goals, and he was a quality player.
I want to win and always have done since I was small. I don't know if it's in my blood or just my personality.
Wembley is a ground with great history. It's hosted games and players of great prestige. It's always important playing on great stages like this.
I think that football has always had a passionate, aggressive side, with players giving their all. People have to get used to this.
I don't have a problem with any defenders. I've always played against great defenders.
A player always comes on to the pitch to give their best, and I cannot be criticized for my commitment, only for my performances.
Other Brazilians who've gone to Europe haven't always settled so quickly. Neymar has.
Atletico players have always been characterised by this kind of player in attack like Fernando Torres, Sergio Aguero, Diego Costa, and Radamel Falcao.
Atletico fans were always so desperate for us to win; it was like a religion to them.
To score is always special; to score in the Bernabeu for Atletico is incredible.
We always try to correct what we did wrong; you can always learn something when you lose.
Uruguayans are competitive, and we always want to win. Even though we try to hide it, it is impossible.
I always like to grow, and I recognise that the Yellow Submarine have helped me.
I do not hate them or anything. I have a lot of respect for Real Madrid, but I always want to beat them.
When I was growing up in the theater there were all these amazing girls telling me about the guy who broke their heart. And I was always wishing that it was me.
Which is why, in my lieder concerts, I always strove, when possible, to sing only the works of a single composer, so that the audience could be gradually drawn into a particular creative genius' way of thinking, and could follow him.
After spending more than 17 years playing for the NBA, in the summertime, I always came back to community service and different basketball clinics.
I've always felt obligated to help those less fortunate than me. It's an obligation that anyone who has a chance to be in the NBA should feel and act upon.
I have always thought of myself as being Northern Irish because that's what I am.
I was always in show business but in many ways was not really of show business. I didn't move in show business circles, particularly, still don't do it.
I was lucky to get the kinds of parts I wanted. I always said I didn't want to do anything my kids can't see.
I've been talking about retiring for years. It's my standard answer to the question, 'What are your future plans?' The truth is, I'll always want to do things that are worthwhile or fun.
I've always been a bit of an orphan, because actors say, 'Well, he's more of a dancer.' And dancers say, 'No. He's really a singer.' And singers say, 'No. He's an actor.'
TV critics came after me for overhyping LeBron. A lot of people don't know this, but I didn't want to do the game. I told ESPN, 'We're making this kid into something special.' I always follow orders, whatever my people want me to do.
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