Always Quotes
Most Famous Always Quotes of All Time!
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My neighborhood, Coconut Grove, we always played in the streets. It was corner against corner. We all had football teams. Different neighborhoods.
I did 'The Grey,' and it was very intense and emotional because we're in the wilderness, and it was always 30 degrees. You kind of lose your sense of reality in the fact that you're filming a movie.
I grew up with no money. No money. I always struggled and had the sense that there was this other class of people who went to college - this was when I was younger.
I have always been restless. I have always been a seeker. It is one of the reasons that I train as hard as I do and I have studied as many disciplines as I have. I need to be challenged.
People don't always realize that a record is forever. It'll always be there under your name. You've got to be certain that it's right.
I'd like to walk into a room sometime and be introduced as the author of something other than that play. There's always one thing in a career that has more impact than anything else. In my case, 'The Subject Was Roses' was that thing.
Why do the Yankees always win? The other team can't stop looking at the pinstripes.
Normally I provide a lot of assists and do a lot of dribbling - but it's always great when you score a goal.
We are Bayern. We have the highest standards, and always want to win everything, so the Champions League is a very big target.
It's always been that opponents get down to business against Bayern specifically because they want to show how desperate they are to defeat the champions.
Everyone has a first love, and mine was the western. When I was a child and dreamed of the movies, it was always as a cowboy on a white horse.
As an actor, as much as I'm interested in how you make movies and TV shows, even as a kid, I've always hated making of featurettes and special features on DVDs. I think it breaks the spell.
There's always a risk when the candidate becomes president: Will he deliver what is expected of him?
A moment's reflection shows that Liberalism is entirely negative. It is not a formative force, but always and only a disintegrating force.
It's always struck me as unfair that writing has so little sensation when it's going well.
As to the war, while it is always thought rash to have any strong military convictions, I have always believed that if they would go straight to Sebastopol early in the season they would take it with little difficulty.
I'm inspired by many things, from landscapes to textiles. Art and architecture always influence my design process.
It always seemed to me a bit pointless to disapprove of homosexuality. It's like disapproving of rain.
The professional world was much more unpleasant than I thought. I was always wishing I could get back that enthusiasm I had when I was doing shows at college.
Since I was a small child, I was always writing either poems or plays... plays in which I had the starring part.
Of course, I've always read. I started when I was four years old and just didn't stop. I read all the time.
I am always fascinated by the way kids create their own world. That is something I am very attentive to anywhere I go.
With a group of bankers I always had the feeling that success was measured by the extent one gave nothing away.
A technological advance of a major sort almost always is overestimated in the short run for its consequences - and underestimated in the long run.
This is what I've always wanted to do. I've always wanted to be a professional tennis player.
I have yet to see a drama that puts forward women who are successful and also have a family... they are nearly always seen as victims.
My parents were hugely supportive like that. I was always the best - it's so embarrassing, isn't it? I was always the best at everything.
I've always kept fit but I've been doing gym and yoga and will be throwing my stilettoes away for a while!
I have always done exercise because I was a dancer, and it is probably good for you. I have done yoga consistently.
I just want always to move people at every performance. If someone cries, that's brilliant.
There was never really a moment that I decided that I wanted to be a ballet dancer. It's always just felt like it's what I was meant to do.
I feel that while my body's able and I'm young, I'd have so many regrets if I didn't go for it now with the ballet, because that's everything I've always wanted to do.
One who imitates what is bad always goes beyond his model; while one who imitates what is good always comes up short of it.
I am fortunate to have only worn one shirt in my career. It is something that is fundamental to me. It is something I have always wanted: to be one of these few who wear only one shirt - a fan and a player of the same team.
Me and my mum were really close. She'd come to all my football games; she was the one who was always there. If it was raining, and I didn't want to go, she'd say, 'Get in the car!'
It's always in our mind-set to encourage young girls to get playing. The only way we can do that is being positive off the pitch, trying to engage as much as possible.
I always had this philosophy that only the best is good enough for those who serve girls.
Certainly, a lot of the films I've worked on have ended up good movies, but they haven't always been the best experiences.
It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
I always regret leaving home if I don't get at least four or five surfs in the week before I leave. I try to be in the water as much as possible before leaving, and it's the one thing I miss massively.
It's always the first 10,000 SoundCloud listens; that was definitely a big moment, seeing the online stuff grow and crowds grow.
I get bored of music really easily, so I always try and make music that makes sense, but then it's just a little bit wrong.
I was delivering papers when I was, like, 10 or 11, and I'd always daydream about being an artist as a full-time thing.
There's a lot of creativity in the industry, but I don't necessarily think that the most creative DJs or producers are always the biggest ones.
I've never worked with huge pop acts, I mightn't like it, but it's something I've always wanted to try.
What So Not used to be a lot more dance-y, and now it's becoming a lot more melodic. Flume has always had that melodic thing, but it's starting to become a bit heavier, so it's just difficult to navigate between the two.
I'm always really curious about, you know, 'How do you deal with success psychologically?' and all this stuff.
I took to the synthesizer. My cousin had some synthesizers, and I'd always make stuff on those things.
I'm not the kind of person who's always out at the club if I don't have to be. I like chilling. I think that comes across in my music.
It's the old-school jazz mentality that I connect with the most. I dig the idea of the seeker, the guy who's always trying to figure out why he is doing music and trying to understand and make sense of his instrument in a world which deals with rigid instruction.
I'm always seeing stuff and imagining scenes in my head when I'm making music.
I was 10 years old when the Northridge quake happened, and I lived right in the area, so it was a traumatic thing for me. I'd never had anything like that happen before. It's always stuck with me.
I'm always surprised when an actor goes so deeply into the truth that they shake you to your core.
I'm a child of the Women's Movement. I always believed that I could do anything. That women didn't have to be limited in any way.
The fact that the movement was carried on by women who, for the most part, had no money of their own and were totally inexperienced in organization, and that they won their fight in about two generations, makes a story often dramatic and always worth preserving.
Owing to the fact that leaders in the women's groups made a point of serving on the jury here whenever they were called, we have always had an unusually high type of women represented on the jury.
I've always overworked in the weight room. I love working with weights. I knew they'd give me the strength I needed.
I still get so much fan mail addressed to Carol Brady, and I think a lot of it's through the Net. And I always answer it, if it's legible.
It's always shocking when you see a modern woman in a period story line. It doesn't make sense.
There's always going to be pressure, and there's always going to be an area where you disappoint. As a storyteller, you have to understand that.
I think you're always attracted by characters that are a little bit like you, or at least the worst parts of you that you can finally accept and say, 'All right, at least I know that now!'
For me, it's always been so obvious that the less we can edit our lives and more we show how normal we all are, the better.
I think everyone's always interested in playing a spy, right? That's something we grow up admiring, which is so strange, but it's just a very clever and quick world that we all want to be a part of.
You know, people always ask, 'What are you like offstage?' And I always say, 'Well, I'm completely normal and mellow.'
I've always been able to just concoct a melody quite easily - it's just kind of instinct, really. You've got to channel your subconscious.
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