Alber Elbaz Quotes

Most Famous Alber Elbaz Quotes of All Time!

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When you come into a house like Saint Laurent, or Chanel, or Lanvin, and you go into a place that existed before you were born and will exist after you die, it takes some time to get in, to get...

To be a fashion critic is easy because you just say, 'I love it, I hate it,' but life is more than love and hate.

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I always think, if I were an editor, and I was invited to a show, and I would have to wait for 45 minutes in the dark or in the cold or in the heat, maybe I would like to...

Run away from laziness; work hard. Touch intuition and listen to the heart, not marketing directors. Dream.

I used to hate L.A., but I met such a great group of people there that I fell in love with it.

When I'm traveling the world, I don't ever look anymore at the geography - just enough to catch galleries and paintings.

I am very much a people person.

If I am in a beautiful place, but I don't like the people, I am miserable.

I think that if you want to pass emotion, you have to write a letter. Emotions do not pass in SMS or in e-mail.

Fashion is not always about what's new, it's also about what's good. And I think if you need to see what's good, you have to be there.

I think a good designer can exist everywhere and anywhere and all the time. It's all about being good, and I think that our job basically is to make women and men look good.

It's a major job to help men and women look beautiful.

I hate the word 'cool.' It gives me a rash.

Why not touch things that we hate and turn them upside down and inside out?

The worst thing that can happen is if you're stuck within a bubble and you think that is what life is all about. It's great to see other people and hear from people of different ages and opinions.

The designers, photographers and models I work with, they are really hard-working people who are devoting their lives to fashion. They're kind of like nuns of fashion.

Almost every collection I do has 200 different references. I don't have two of the same coat, two of the same dress. I have it in one color, in one fabric. I've tried to adapt the culture of couture, and...

Fashion is not enough anymore. It's not just about what you wear. I mean, I don't know how many women can afford to take the time to come to Paris for three fittings.

The problem with couture is not designers; it's what happens when the couturier will no longer be there.

I work on fittings, mostly. You know, I sketch less and less in my work. I sketch for the show sometimes, but then it becomes more conceptual. But when I don't sketch, it becomes more pragmatic.

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