Your Quotes
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I didn't want to be seen as just a guy on a list. I'm interested in good scripts, scripts that are about something, scripts that move your acting along.
The worst thing for an actor is a director that gets on your nerves and says things that actually confuse you.
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Musicals are plays, but the last collaborator is your audience, so you've got to wait 'til the last collaborator comes in before you can complete the collaboration.
When I was growing up, there was no such thing as Off-Broadway. You either got your show on or you didn't.
Your experience is a dream; so is my experience. This stuff about how the frontal cortex is repressed during dreaming, lucid dreaming presents an obvious contradiction to it. The only difference is sensory input.
In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn...
Your primary tools, as an actor, are observation and imagination. You can pretty much get everything you need from that, and you do. It brings back that element of pretend.
In 'Beowulf,' director Robert Zemeckis uses a technique called 'motion capture' to conjure fantastical things, angles into action and sweeping vistas to stun your eyes and take your breath away. But what he hasn't mastered and what the technique can't...
When you're the artsy, weirdo, introverted outsider growing up, you don't fit into your community.
All of us are in the same place, each with our own rooms, and we were allowed to do whatever we wanted. Which is totally different than college, where they manage your schedule for you. In the NBA, you're on...
I categorically resist this idea that films are supposed to be autobiographical and the only stories you tell are about your own life.
The only way you can learn about making films is by making them, by putting your stamp on the thing.
Nerves can be useful, as they sharpen you up, make you determined to try your hardest and do your best.
The first Bond movie I saw at cinemas was 'For Your Eyes Only' when I was almost 10. I got into the Fleming books after watching 'A View To A Kill' a few years later.
I actually enjoy writing longer books because you have even more to get your storytelling teeth into.
The key is not to prioritize what's on your schedule, but to schedule your priorities.
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