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Lynn Nottage Quotes

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Like Alice Walker and Toni Morrison, I try to balance reality with how we'd like the world to be.

Ultimately, we're incredibly resilient creatures. People really do get on with the business of living.

Winning the second Pulitzer firmly places me in conversation with this culture.

I don't think any of us could predict Trump. Trump is the stuff of nightmares. But in talking to people, I knew there was a tremendous level of disaffection and anger and sorrow. I know people felt misrepresented and voiceless.

The people sometimes who are closest to us are the ones who bear the brunt of our frustration.

There were not a lot of women in the theater department - it was really run by men, and so the message was that women can be onstage, but women can't really be backstage.

I'm a contemporary playwright in a postmodern world.

In my family history, there are generations of women who were abandoned by men. It's one of the themes of my family.

'Intimate Apparel' is a lyrical meditation on one woman's loneliness and desire. 'Fabulation' is a very fast-paced play of the MTV generation.

Who wants to see the same play again? I certainly don't want to write the same play again and again.

All of my plays are about people who have been marginalized... erased from the public record.

I love my people's history. I feel a huge responsibility to tell the stories of my past and my ancestors' past.

I know what I'm trying to say, so I'm always open to learning how to say it.

The act of saying what you do helps shape you as an artist.

My fears about where theater is going - it's the Hollywood model, where people are chasing the almighty dollar and making commercial decisions based on nothing more than generating income for themselves and their theaters.

The essence of creativity is to look beyond where you can actually see. I don't want to dwell in same place too long.

There was no way I was going to write about Africa and not include the triumphant continuity of life that had also been part of my experience there. It's not just war and famine all the time.

Saying, 'I'm going to create jobs' is great, but before you create jobs, something has to be offered to alleviate some of the suffering now.

American audiences very rarely deal with material outside their borders.

Even in Congo, where conflicts are happening, people have births, weddings, deaths, and celebrations.

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