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Katie Kitamura Quotes

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The alchemy of a fight card is a mysterious thing. Even the most meticulous matchmaking can sometimes misfire.

Modern sport can be an ugly convergence of commerce and celebrity, but it still has the capacity to move a crowd.

It's difficult to identify why two cultures will react differently to the same sport.

I was introduced to fighting by my brother - he's a tattooer, a tough guy - and I completely fell in love with it. I was watching fights on YouTube all the time. I would go to parties to watch...

There's something about being a woman and being able to dress up in men's clothing, so to speak.

In a fight, you don't need much context for drama. You watch a fight, and that's it.

One thing about having children is that even as it complicates many aspects of your life, it simplifies others.

It took me a long time to accept that I was a writer.

I never listen to music when I write. It's too much of a distraction.

It's hard, but I try not to think of happiness as either pending or in the past.

I think it's poignant and powerful, this idea that if someone knows your name, they have the ability to kind of hail you and make demands upon you.

I think there's such a fine line in a relationship. The role of imagination and privacy... how much space can you allow before that becomes distance? And similarly, imagination is empathy. That's how you achieve empathy. It's how you can...

I am generally wary of the demand for 'likeability' in fiction, which I think is a bastardisation of the demand of identification - itself something of a suspect notion.

There should be characters and situations that we cannot identify with, that retain either too much horror or too much wonder to allow for simple identification. That feels to me like an accurate depiction of what it is like to...

The canon is dominated by books written by men, about men, and for men - the male voice is therefore not a particularly difficult one to impersonate.

There's a long relationship between science fiction and the 'novel of ideas,' and I think writers of science fiction are able to draw on that tradition to take risks, to constantly raise the level of their ambition.

The idea of physical strain and discipline, the question of how and when you leave that life behind - they're things I'm familiar with on one level or another.

I pretty much admire anybody who has the discipline and the will to make a career out of fighting. It takes buckets of nerve.

The first fight I saw live, the fighter I was shadowing lost in front of a crowd of forty thousand people. The scale of that is staggering to me. Undergoing that overlap between something very personal and something very public...

I'm not one to probe my limitations.

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