F Sionil Jose Quotes

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I can't understand Urdu, Bahasa or Russian, but when the Pakistani Faiz, the Indonesian Rendra and the Russian Rosdentvensky declaim, I can feel the living throb of rhythm and music, the warmth and passion of their poetry, as do the...

I am for poetry that is admired by peasant and aristocrat alike.

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I do not want to be bored listening to music that is muffled and known only to the poet himself.

Poetry is emotion, passion, love, grief - everything that is human. It is not for zombies by zombies.

It was in the sugar hacienda in Negros, Panay and in Central Luzon where I saw the injustices heaped upon the sugar workers, particularly the sacadas, or seasonal workers.

In the '50s, I was traveling alone all over Mindanao, Basilan, all the way to Tawi-Tawi with just a camera and a notebook. I always stayed in the houses of Moros.

In a much larger sense, the problem of Sabah is directly influenced by the duplicity of imperial Britain. For whatever devious reason, the dismantling of the British empire created divisions and violence due to ethnic and religious differences.

Ninoy Aquino was a friend; I knew his faults, which were outweighed by his virtues.

For decades, as literary editor, I have followed the growth of our creative writing in English. In my Solidaridad Bookshop, half of my stock consists of Filipino books written in English and in the native languages.

The Japanese bureaucracy is unique. It is also very powerful, although it is now the object of so much criticism. Many of Japan's brightest made it a pillar of strength and continuity.

The Japanese covet important symbols - their heroic past as enshrined in Yasukuni, the Imperial family which has never been sullied by scandal.

November is auspicious in so many parts of the country: the rice harvest is already in, the weather starts to cool, and the festive glow which precedes Christmas has began to brighten the landscape.

The heart of the theater is the play itself, how it dramatizes life to make it meaningful entertainment. To achieve depth and universality, the playwright must subject himself to intense critique, to know human character and behavior, and finally to...

What is needed in the theater, in fact for all our art forms, is a vibrant critical tradition.

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